Patricia Petibon: Nouveau Monde (Baroque Arias and Songs)
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Label: Deutsche Grammophon
Cat No: 4790079
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 1st October 2012
Contents
Works
Cachua a voz y bajo Al Nacimiento de Christo Nuestro Senor (Codex Martinez Companon)Greensleeves to a ground
Mon amy s'en est alle (Branle Double)
Tonada la Lata a voz y bajo, para bailar cantando (Codex Martinez Companon)
Tonada la Lata el Congo a voz y bajo para baylar cantando (Codex Martinez Companon)
Yo soy la locura (Pasacalle: La folie)
Medee
Cantata HWV140 'No se emendara jamas' (Spanish Cantata)
Artists
Patricia Petibon (soprano)La Cetra Baroque Orchestra
Conductor
Andrea MarconWorks
Cachua a voz y bajo Al Nacimiento de Christo Nuestro Senor (Codex Martinez Companon)Greensleeves to a ground
Mon amy s'en est alle (Branle Double)
Tonada la Lata a voz y bajo, para bailar cantando (Codex Martinez Companon)
Tonada la Lata el Congo a voz y bajo para baylar cantando (Codex Martinez Companon)
Yo soy la locura (Pasacalle: La folie)
Medee
Cantata HWV140 'No se emendara jamas' (Spanish Cantata)
Artists
Patricia Petibon (soprano)La Cetra Baroque Orchestra
Conductor
Andrea MarconAbout
'Nouveau Monde' is conceived as a journey from the Old to the New World, a spell-binding collection of arias, songs and pieces from European composers (Charpentier, Handel, Rameau, Purcell) that testify to their composers’ fascination with the exoticism of recently-discovered lands, as well as South American folksongs which boast exceptional rhythmic energy and colour
Spectacularly accompanied by the La Cetra Baroque Orchestra under the excelling direction of Andrea Marcon - who also stands out as a Baroque organist and harpsichordist - Patricia enchants our senses with a mélange of 17th-century arias and folk songs from England, France, Spain, and Latin America
As a follow-up to her best-selling Rosso and Melancolía albums, Patricia Petibon’s 2012 release is guaranteed to be one of the most popular and sought-after Baroque releases of the year.
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