Haydn - Lieder / Songs
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Brilliant Classics
Cat No: 94685
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 27th August 2013
Contents
Works
A Pastoral Song, Hob.XXVIa:27An Thyrsis, Hob.XXVIa:8
Beim Schmerz, der dieses Herz durchwuhlet, Hob.XXVIa:37
Die Verlassene, Hob.XXVIa:5
Jeder meint, der Gegenstand, Hob.XXVI:13
Lachet nicht, Madchen, Hob.XXVI:14
Liebeslied, Hob.XXVIa:11
O Tuneful Voice, Hob.XXVIa:42
Pleasing Pain, Hob.XXVIa:29
The Mermaid's Song, Hob.XXVIa:25
The Spirit's Song, Hob.XXVIa:41
The Wanderer, Hob.XXVIa:32
Trachten will ich nicht auf Erden, Hob.XXVIa:39
Artists
Arleen Auger (soprano)Walter Olbertz (piano)
Works
A Pastoral Song, Hob.XXVIa:27An Thyrsis, Hob.XXVIa:8
Beim Schmerz, der dieses Herz durchwuhlet, Hob.XXVIa:37
Die Verlassene, Hob.XXVIa:5
Jeder meint, der Gegenstand, Hob.XXVI:13
Lachet nicht, Madchen, Hob.XXVI:14
Liebeslied, Hob.XXVIa:11
O Tuneful Voice, Hob.XXVIa:42
Pleasing Pain, Hob.XXVIa:29
The Mermaid's Song, Hob.XXVIa:25
The Spirit's Song, Hob.XXVIa:41
The Wanderer, Hob.XXVIa:32
Trachten will ich nicht auf Erden, Hob.XXVIa:39
Artists
Arleen Auger (soprano)Walter Olbertz (piano)
About
The art form that became known as the lied may not have been a prominent feature of Haydn’s output, but his collections of songs for solo voice have nevertheless retained their appeal to this day.
This recording presents a selection of these charming works, drawing especial attention to the two stages of development into which they are divisible: while the first set, written in the 1780s, centre around witty epigram (be they pastoral in mood, containing moralising overtones or expressing unrequited love), the second set, composed in the following decade and based on texts by the English poetess Anne Hunter, highlight what one contemporaneous newspaper described as Haydn’s ‘sophisticated popularity’ and reveal a predilection for folk song through their rhapsodic and often elegiac flavour.
Performing these works, accompanied by Walter Olbertz, and is one of the greatest artists of the past century, acclaimed soprano Arleen Augér. The recording is testament to what the late American singer did best: her exceptional command of the lied, which became an increasingly important part of her later career, and her predilection for the Classical and Baroque repertoires.
Recorded in 1980.
‘Listening to a song recorded by Arleen Auger, one might be inclined to credit the engineers for some of the apparent perfection. That any singer should be able to sustain such effortless lines, such pure and exquisitely gauged sound, so consistently, seems unbelievable. Believe it.’ - Los Angeles Times
This product has now been deleted. Information is for reference only.
Error on this page? Let us know here
Need more information on this product? Click here