A piacere: Music for viola da gamba
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Label: Glossa - Platinum
Cat No: GCDP33202
Format: CD
Number of Discs: 1
Release Date: 10th February 2014
Contents
Works
El canto de los pajarosSonata for solo violin no.2 in A minor, BWV1003
Les Voix Humaines
Fandango
Nouvelles Suites de Pieces de Clavecin
Les Pleurs
Sarabande. Les Pleureux
Canarios
Marizapalos
Passacalle
Always with me, always with you
Artists
Fahmi Alqhai (viola da gamba)Arcangel (voice)
Pablo Martin (caminero, violone, double bass)
Pedro Estevan (percussion)
Agustin Diassera (percussion)
Juan Carlos Rivera (theorbo)
Rami Alqhai (viola da gamba, violotto)
Johanna Rose (viola da gamba)
Ignacio del Valle (viola da gamba)
Works
El canto de los pajarosSonata for solo violin no.2 in A minor, BWV1003
Les Voix Humaines
Fandango
Nouvelles Suites de Pieces de Clavecin
Les Pleurs
Sarabande. Les Pleureux
Canarios
Marizapalos
Passacalle
Always with me, always with you
Artists
Fahmi Alqhai (viola da gamba)Arcangel (voice)
Pablo Martin (caminero, violone, double bass)
Pedro Estevan (percussion)
Agustin Diassera (percussion)
Juan Carlos Rivera (theorbo)
Rami Alqhai (viola da gamba, violotto)
Johanna Rose (viola da gamba)
Ignacio del Valle (viola da gamba)
About
In 'A piacere', Fahmi Alqhai demonstrates once again what an expressive musician he has become, and with the viola da gamba as his “Wondrous Muse”, he recreates for CD a concert programme which he has been refining over recent years.
Following his ensemble album 'Rediscovering Spain' (performed with Accademia del Piacere), this new release from Glossa has a distinctively soloistic feel and approach to it, with Alqhai relishing the different moods and musical directions that his chosen musical “voice” permits him to take.
Taking the instrument as so much more than a relic from the decaying aristocratic age of Louis XV in France, Alqhai demonstrates – by his choice of programme and his playing – the viol’s versatility, flexibility and depth of emotional response. Music from Spanish, German and French Baroque masters of the instrument are joined by Alqhai’s own version of Joe Satriani's 'Always with me, always with you' rock number.
Notably in his Satriani adaptation (but also in an old Spanish popular melody featuring the cantaor Arcángel, as well as elsewhere), Alqhai receives support from musician friends gathered at sessions in Seville, all helping to create – in marvellous sound – a new demonstration of the creative freedom that old music can allow in the right hands.
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