Luther’s Lute
£15.15
In stock - available for despatch within 1 working day
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Label: Christophorus
Cat No: CHR77388
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 18th September 2015
Contents
Works
Nun treiben wir den Babst hinausSurrexit Christus/Christ ist erstanden
Mille regretz
Nigra sum, sed formosa (Anonymous)
Etans assis aux rives aquatiques
Aus tiefer Not
In pace inidipsum
Das Patrem zu deutsch
Ein neues Lied wir heben an
Frau Musica singt
Non moriar sed vivam
Raitis Grigalis
Benedetur
Ein seer guter Organistischer Preambel
Ic seg adiu
O sing ye now unto the Lord (Psalm 98)
Maria zart
Ecce quam bonum
In pace inidipsum
Mein Fleiss und Muh
Non moriar sed vivam
Artists
Franz Vitzthum (countertenor)Julian Behr (lute)
Works
Nun treiben wir den Babst hinausSurrexit Christus/Christ ist erstanden
Mille regretz
Nigra sum, sed formosa (Anonymous)
Etans assis aux rives aquatiques
Aus tiefer Not
In pace inidipsum
Das Patrem zu deutsch
Ein neues Lied wir heben an
Frau Musica singt
Non moriar sed vivam
Raitis Grigalis
Benedetur
Ein seer guter Organistischer Preambel
Ic seg adiu
O sing ye now unto the Lord (Psalm 98)
Maria zart
Ecce quam bonum
In pace inidipsum
Mein Fleiss und Muh
Non moriar sed vivam
Artists
Franz Vitzthum (countertenor)Julian Behr (lute)
About
As a child, Martin Luther had already received intensive musical training at the schools in Magdeburg and Eisenach. He sang not only in the school choirs during the church services, but also for wealthy citizens. During his studies in Erfurt, Luther studied the music theory of both the Middle Ages and antiquity, and engaged in musical practice.
Luther had an intimate relationship with the music of his time: he was an admirer of the works of Senfl, Finck and Josquin and wrote a number of melodies of his own. Luther’s pastoral and almost intimate text 'Frau Musica singt' (Ms Musica Sings) to the nightingale, makes one thing clear: music also provided Luther with solace and a place of refuge. At his own request, Martin Luther learnt to play the lute whilst suffering from an illness in 1503. He not only studied the lute, but also the technique of intabulation, which is the arrangement of a polyphonic vocal piece for the plucked instrument.
The present selection of pieces by Luther and composers from his immediate environment, performed here by the countertenor Franz Vitzthum accompanied by the lute, could have been performed at an evening of domestic music-making at Martin Luther's house, although this cannot be proven by contemporary sources.
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