Schubert - Lieder
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Label: Wigmore Hall Live
Cat No: WHLIVE0082
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 29th April 2016
Contents
Works
Alinde, D904Am Bach im Fruhling, D361
An den Tod, D518
An die Leier, D737
Das Lied im Grunen, D917
Der Kampf, D594
Der Wanderer an den Mond, D870
Der Zwerg, D771 op.22 no.1
Die Gebusche, D646
Die Taubenpost, D965a
Fischerweise, D881
Geheimes, op.14 no.2 D719
Gruppe aus dem Tartarus, D583
Im Abendrot, D799
Im Freien, D880
Memnon, D541
Verklarung, D59
Wiedersehn, D855
Artists
Benjamin Appl (baritone)Graham Johnson (piano)
Works
Alinde, D904Am Bach im Fruhling, D361
An den Tod, D518
An die Leier, D737
Das Lied im Grunen, D917
Der Kampf, D594
Der Wanderer an den Mond, D870
Der Zwerg, D771 op.22 no.1
Die Gebusche, D646
Die Taubenpost, D965a
Fischerweise, D881
Geheimes, op.14 no.2 D719
Gruppe aus dem Tartarus, D583
Im Abendrot, D799
Im Freien, D880
Memnon, D541
Verklarung, D59
Wiedersehn, D855
Artists
Benjamin Appl (baritone)Graham Johnson (piano)
About
Benjamin Appl graduated from the Guildhall School of Music and Drama, and now continues his studies with Rudolf Piernay. He had the great fortune to be mentored by Dietrich Fischer-Dieskau. Appl joined the BBC New Generation Artists scheme from 2014 until 2016, and was an ECHO Rising Stars artist for the 2015/16 season. Recital appearances include Graham Johnson’s ‘Young Songmakers Almanac’ in London and his debut at Carnegie Hall 2014. Benjamin’s many appearances with the Schubertiade Festival include a ‘Liederabend’, accompanied by Helmut Deutsch, and performances of Die schöne Müllerin with Martin Stadtfeld and Graham Johnson. He made his first appearances at the BBC Proms in 2015 with the Brahms Triumphlied and Carmina Burana.
Recorded live at Wigmore Hall, London, on 27 March 2015
Reviews
Just a couple of months ago, Richard Fairman welcomed Benjamin Appl’s first fully fledged recital disc, a collection of Heine settings on Champs Hill Records, and hailed the young German baritone as ‘the current front-runner in the generation of Lieder singers’. This Wigmore Hall recital serves emphatically to underline that point, and, with Graham Johnson as a supportive and inspiring partner at the piano, it sees Appl in even more natural-sounding and impressive form. His instinctive feel for these songs is immediately striking and manifests itself in the sort of artlessness that distinguishes the finest Lieder singers: a lack of tension, an easy relationship with the poetry, a confidence in the words and Schubert’s melodies to communicate with nothing but the gentlest helping interpretative hand. Hugo Shirley
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