a la maniere de... Ravel, Haydn, Borodin, Chabrier, Gounod
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Label: TYXart
Cat No: TXA17087
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 13th April 2017
Contents
Works
Petite SuitePieces pittoresques (10)
A la maniere de Borodine
A la maniere de Chabrier
Le Tombeau de Couperin
Menuet sur le nom de Haydn
Artists
Anne Riegler (piano)Julia Sauer (soprano)
Works
Petite SuitePieces pittoresques (10)
A la maniere de Borodine
A la maniere de Chabrier
Le Tombeau de Couperin
Menuet sur le nom de Haydn
Artists
Anne Riegler (piano)Julia Sauer (soprano)
About
The colors on the booklet? An opera aria within piano music? Ravel counting the alphabet on the piano keys? Answers to these questions and other interesting background information about the program. One hundred years ago, in 1917, Maurice Ravel completed his work on a suite for piano in the baroque style: Le tombeau de Couperin. This composition stayed with me for the past ten years since I first heard it when I was a teenager. My fascination for the music of Ravel and this cycle in particular can hardly be summarized in a few sentences. Especially the Toccata captivated me with its pulsating, seething energy, gorgeous melodies, colorful harmonies and the exciting increase of tension until the grand ending. During practice, I once thought: If some people knew what kind of ecstasy Ravel's Toccata can cause, they would not take drugs, but piano lessons.
Anne Riegler is a young pianist who grew up in two little towns in Germany as a daughter of church music directors. Since she was young, she has been fascinated by other countries and attended high school in France for several months as a teenager. Her education in music led her from the university of music in Würzburg, Bavaria (Silke-Thora Matthies) to the conservatory in Saint Petersburg in Russia (Nina Seregina) and finally to New York City (Jerome Rose) where she earned Master's Degree at the Mannes School in 2017. Diving into cultures that are so diversified and speaking different languages had a great impact on her development as a person and on her musical expression. She finds it most valuable to experience music‘s universal language as well as different approaches of thinking and making music in foreign countries.
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