Music in the Salons and Theatres of 18th-century Madrid
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Label: Lindoro
Cat No: NL3034
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 30th June 2017
Contents
Works
Cancion 'El tiempo y el amor'Cancion 'Entre las ninfas'
Cancion 'La Ausencia'
Cancion 'La mujer sensible'
Cancion 'La soledad del campo'
Cancion 'Yo soy de amor la víctima'
Cancion de la cautivita
Cancion patriotica 'A las armas'
Cancion patriotica 'Dupont rendido'
Seguidillas 'Al pasar la fragua'
Seguidillas de Fernando VII
La tirana se ha ausentado
Seguidillas 'Agitada mi siento'
Seguidillas 'El garbo y el manejo'
Seguidillas 'Mi corazon senores'
Tirana 'Ay infelice de mi'
Tirana 'Me preguntaron los guardas'
Tirana 'Un amante que se hallaba'
Artists
Ingartze Astuy (mezzo-soprano)Fernando Anton (guitar)
Maria Saturno (cello)
Works
Cancion 'El tiempo y el amor'Cancion 'Entre las ninfas'
Cancion 'La Ausencia'
Cancion 'La mujer sensible'
Cancion 'La soledad del campo'
Cancion 'Yo soy de amor la víctima'
Cancion de la cautivita
Cancion patriotica 'A las armas'
Cancion patriotica 'Dupont rendido'
Seguidillas 'Al pasar la fragua'
Seguidillas de Fernando VII
La tirana se ha ausentado
Seguidillas 'Agitada mi siento'
Seguidillas 'El garbo y el manejo'
Seguidillas 'Mi corazon senores'
Tirana 'Ay infelice de mi'
Tirana 'Me preguntaron los guardas'
Tirana 'Un amante que se hallaba'
Artists
Ingartze Astuy (mezzo-soprano)Fernando Anton (guitar)
Maria Saturno (cello)
About
Beyond their popularity in the theatre, seguidillas and tiranas as a traditional form of entertainment were also performed in a more personal, private social space: the home. Thus were spread the jokes, the humour, the grace and the panache that emanated from these pieces – characteristics which reflected those associated with being “a good Spaniard”. A “good Spaniard” would appreciate the sharp and ingenious wit contained in these verses – as opposed to others who, turning their backs on the traditions of their elders, embraced foreign poetry and music. So it is hardly surprising that music teachers placed advertisements in the Madrid press, offering lessons in singing seguidillas and tiranas – while accompanying yourself with the guitar – so that youngsters of a certain class might augment their charms by emulating the artistry of the performers of the stage. Seguidillas and tiranas thus became infused with more domestic sounds and, as inheritors of tradition, propagated a vision of Spain that spread eloquently among the streets, squares, halls and theatres of the city in the form of songs.
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