Franco Fagioli: Handel Arias | Deutsche Grammophon 4797541

Franco Fagioli: Handel Arias

£12.83

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Label: Deutsche Grammophon

Cat No: 4797541

Format: CD

Number of Discs: 1

Genre: Opera

Release Date: 12th January 2018

Contents

Artists

Franco Fagioli (countertenor)
Il Pomo d’Oro

Conductor

Zefira Valova

Artists

Franco Fagioli (countertenor)
Il Pomo d’Oro

Conductor

Zefira Valova

About

This is the album Handel lovers have been waiting for: a handpicked selection of Handel opera arias that Franco Fagioli, one of the most outstanding countertenors in our days has chosen himself.

Handel is unavoidably linked to Franco’s career and he brings a unique approach to the composer in this studio recording.

Franco has gained critical acclaim for his round, sensual and velvet mezzo-soprano like voice, and he is known to sing with virtuosic coloratura and emotional intensity.

He performs fourteen arias whilst exploring the wide range of emotions and affetti musicali that are typical of Baroque operas and of Handel’s vocal music in particular.

This album is also a happy re-encounter of a winning team: Franco is joined by the famous orchestra Il Pomo d’Oro, a dynamic Baroque orchestra with whom Franco had worked with in the past.

Contents:
1. Agitato
2. Frondi tenere
3. Ombra mai fu
4. Crude Furie
5. Cara sposa
6. Venti, turbini
7. Se potessero
8. Sento brillar
9. Pompe vane
10. Dove sei
11. Se in fiorito
12. Scherza infida
13. Dopo notte
14. Ch’io parta

Reviews

With his latest disc, Franco Fagioli returns to Handel for the first time as a recitalist since that early effort, and this time the results are arrestingly, uncompromisingly thrilling. ... while the coloratura thrills here are predictably spectacular, it’s the other elements – the new-found care and weight of the slower arias, the range of vocal brushstrokes throughout, the dramatic conviction – that hold the attention. ... All wire and wood, Il Pomo d’Oro (directed from the violin by Zefira Valova) are a natural foil to Fagioli’s richly upholstered voice. Playing the straight man, they temper his instinctive indulgence with dry, quick musical repartee. It’s a seriously classy double-act, a partnership that elevates an outstanding disc to one of the finest Handel recitals in a while.  Alexandra Coghlan
Gramophone March 2018
Gramophone Editor's Choice

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