Festival au Grand-Orgue
£13.25
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Label: Atma Classique
Cat No: ACD22704
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 10th August 2018
Contents
Works
Cantata BWV147 'Herz und Mund und Tat und Leben' » Jesu bleibet meine Freude (Jesu, joy of man's desiring) (arr. Durufle for organ)
Orchestral Suite no.3 in D major, BWV1068 » II Air 'Air on the G string' (arr. R Gagne for organ)
Idomenee » Rigaudon (arr. R. Gagne for organ)
Cortege et litanie, op.19bEl amor brujo
» Ritual Fire Dance (arr. R. Gagne for organ)
Pavane, op.50 (arr. M. Setchell for organ)Shylock, op.57
» II Entracte (arr. R. Gagne for organ)
» V Nocturne (arr. V. Fox for organ)
Gagliarda del Principe di Venosa (arr. R. Gagne for organ)The Seasons, op.67
» Petite Adagio (arr. R. Gagne for organ)
Treemonisha » Finale 'A Real Slow Drag' (arr. R. Gagne for organ)
Sea Pieces, op.55 » no.3 A.D. 1620 (arr. R. Gagne for organ)
Air in G major, Z641 (arr. R. Gagne for organ)Bonduca or The British Heroine, Z574
» To arms (Prelude in C) (arr. R. Gagne for organ)
The Indian Queen, Z630 » Trumpet Tune (arr. R. Gagne for organ)
Trumpet Tune in C major, ZT678 (from Cibell)Carnival of the Animals
» The Swan (arr. R. Gagne for organ)
Sonne der Gerechtigkeit (arr. R. Gagne for organ)The Stars and Stripes Forever (arr. E. Power Biggs for organ)
Violin Concerto in D minor, P.A.2.3.81
» I Allegro1 (arr. J.G. Walther for organ)
Ave Maria (arr. R. Gagne for organ)Parsifal
» So ward es uns verhiessen (Act 3) (arr. for organ)
Artists
Richard Gagne (organ)Works
Cantata BWV147 'Herz und Mund und Tat und Leben' » Jesu bleibet meine Freude (Jesu, joy of man's desiring) (arr. Durufle for organ)
Orchestral Suite no.3 in D major, BWV1068 » II Air 'Air on the G string' (arr. R Gagne for organ)
Idomenee » Rigaudon (arr. R. Gagne for organ)
Cortege et litanie, op.19bEl amor brujo
» Ritual Fire Dance (arr. R. Gagne for organ)
Pavane, op.50 (arr. M. Setchell for organ)Shylock, op.57
» II Entracte (arr. R. Gagne for organ)
» V Nocturne (arr. V. Fox for organ)
Gagliarda del Principe di Venosa (arr. R. Gagne for organ)The Seasons, op.67
» Petite Adagio (arr. R. Gagne for organ)
Treemonisha » Finale 'A Real Slow Drag' (arr. R. Gagne for organ)
Sea Pieces, op.55 » no.3 A.D. 1620 (arr. R. Gagne for organ)
Air in G major, Z641 (arr. R. Gagne for organ)Bonduca or The British Heroine, Z574
» To arms (Prelude in C) (arr. R. Gagne for organ)
The Indian Queen, Z630 » Trumpet Tune (arr. R. Gagne for organ)
Trumpet Tune in C major, ZT678 (from Cibell)Carnival of the Animals
» The Swan (arr. R. Gagne for organ)
Sonne der Gerechtigkeit (arr. R. Gagne for organ)The Stars and Stripes Forever (arr. E. Power Biggs for organ)
Violin Concerto in D minor, P.A.2.3.81
» I Allegro1 (arr. J.G. Walther for organ)
Ave Maria (arr. R. Gagne for organ)Parsifal
» So ward es uns verhiessen (Act 3) (arr. for organ)
Artists
Richard Gagne (organ)About
The album Festival au Grand-Orgue features organist and Benedictine monk Dom Richard Gagné in a wide range of pieces by various composers including Gesualdo, Purcell, Bach, Fauré and Scott Joplin.
The works reflect diverse instrumental groupings and have been adapted and transcribed for the organ, the ‘Instrument of a Thousand Voices.’ The album was recorded at the Benedictine monastery of Saint-Benoît-du-Lac Abbey on a Karl Wilhelm organ. Dom Richard Gagnè entered the Abbey of Saint-Benoît-du-Lac in 1976 and was ordained a priest there in 1984. While pursuing his monastic and theological training, he was mentored on the organ by Dom André Laberge, and received the greater part of his training in improvisation with Raymond Daveluy.
The works reflect diverse instrumental groupings and have been adapted and transcribed for the organ, the ‘Instrument of a Thousand Voices.’ The album was recorded at the Benedictine monastery of Saint-Benoît-du-Lac Abbey on a Karl Wilhelm organ. Dom Richard Gagnè entered the Abbey of Saint-Benoît-du-Lac in 1976 and was ordained a priest there in 1984. While pursuing his monastic and theological training, he was mentored on the organ by Dom André Laberge, and received the greater part of his training in improvisation with Raymond Daveluy.
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