Beethoven - Symphonies 1-9 | Tafelmusik TMK1034CD

Beethoven - Symphonies 1-9

Label: Tafelmusik

Cat No: TMK1034CD

Format: CD

Number of Discs: 6

Genre: Orchestral

Release Date: 29th March 2019

Contents

Artists

Sigrid Plundrich (soprano)
Mary-Ellen Nesi (mezzo-soprano)
Colin Balzer (tenor)
Simon Tischler (bass-baritone)
Tafelmusik Chamber Choir
Tafelmusik Baroque Orchestra

Conductor

Bruno Weil

Works

Beethoven, Ludwig van

Symphonies 1-9 (complete)

Artists

Sigrid Plundrich (soprano)
Mary-Ellen Nesi (mezzo-soprano)
Colin Balzer (tenor)
Simon Tischler (bass-baritone)
Tafelmusik Chamber Choir
Tafelmusik Baroque Orchestra

Conductor

Bruno Weil

About

Tafelmusik is thrilled to present its recordings of the complete Beethoven symphonies, six CDs packaged in a striking box set. Recorded under the direction of conductor Bruno Weil over a twelve-year period, Tafelmusik’s cycle marks the first time a North American orchestra has recorded all nine Beethoven symphonies on period instruments.

Recorded in Toronto at Koerner Hall and George Weston Recital Hall between 2004 and 2016, these performances chart Tafelmusik’s evolution as it expanded its repertoire to explore the music of classical and early romantic composers.

The set contains recordings originally made for the Analekta label, including the JUNO Award-winning Symphonies nos. 5 & 6, and the JUNO Award-nominated Symphonies nos. 7 & 8. Symphonies nos. 1-4, and the JUNO Award-nominated Symphony no.9 were recorded live in concert on the Tafelmusik Media label.

Under the direction of Bruno Weil, Tafelmusik first performed a Beethoven symphony (no.2) in Toronto in 1993. Maestro Weil also directed the orchestra in international performances of Beethoven symphonies at the Klang und Raum Festival in Irsee, Germany, during its 19-year tenure there as orchestra-in-residence.

Much admired by the international music press, Tafelmusik’s Beethoven interpretations have been praised for their “transparency of articulation and balance … remarkable precision, vitality and tonal focus. Beethoven benefits mightily from the silken strings, woodsy winds, clarion brasses and pinpoint timpani” (Gramophone magazine).

“Weil and his [Tafelmusik] players convince us that Beethoven can sound as radical in the 21st century as he must have done in the 19th” – Gramophone

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