Szathmary - Organ Works
£22.75
Usually available for despatch within 3-5 working days
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
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Label: Cybele
Cat No: CYBELE2SACD061807
Format: Hybrid SACD
Number of Discs: 2
Release Date: 17th May 2019
Contents
Works
B-A-C-H 'Hommage a...' for organBremer Dom-Musik for 2 organs
Cadenza con ostinati for violin and organ
Dies irae - Tage des Zorns for organ and percussion
Feuertaufe for organ
Mors et vita for organ
Moving Colours for organ
Sense of Rhythm for organ and percussion
Sonido Iberico for a Spanish organ
Strophen for organ and tape
Artists
Martin Schmeding (organ)Aniko Szathmary (violin)
Olaf Tzschoppe (percussion)
Wolfgang Kogert (organ)
Zsigmond Szathmary (organ)
Works
B-A-C-H 'Hommage a...' for organBremer Dom-Musik for 2 organs
Cadenza con ostinati for violin and organ
Dies irae - Tage des Zorns for organ and percussion
Feuertaufe for organ
Mors et vita for organ
Moving Colours for organ
Sense of Rhythm for organ and percussion
Sonido Iberico for a Spanish organ
Strophen for organ and tape
Artists
Martin Schmeding (organ)Aniko Szathmary (violin)
Olaf Tzschoppe (percussion)
Wolfgang Kogert (organ)
Zsigmond Szathmary (organ)
About
‘Standing still is death, go ahead, everything stays different.’ This line of text from a completely different context, a 1998 song by Herbert Grönemeyer, describes in an ideal way the character of the works, as well as Szathmáry's interpretations, which are endowed with an irrepressible energy and a steady sense of propulsion.
Work on a work, be it one's own or that of someone else, is never over. Every space, every instrument, every moment demands new ideas, adjustments, its own timbres and gestures. Every aspect of music-making is thereby filled with a living, forward-flowing energy; even sections that appear at first sight to be slow or reflective become animated. In the best sense, every work and every interpretation is thus a ‘work in progress’ (a title that Szathmáry has indeed used for one of his pieces): a bustling process of constant renewal, of creative musical creation.
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