Although now largely forgotten, Rhené-Emmanuel Bâton (1879-1940) was a key figure in Parisian musical circles during the early 1900s. Rhené-Baton, as he was later known, was born in Normandy to a Breton family. but trained at the Paris Conservatoire to become a composer, pianist and conductor. A meeting with Serge Diaghilev led to the engagement to conduct the Ballets russes on tour, and as a conductor he was the subject dedicatee of several works such as Roussel’s Second Symphony.

Meanwhile Rhené-Baton continued to compose, and it was through his own music that he felt most free to express his Breton identity. Almost all the chamber music presented here dates from the years 1921-27. Both the Cello Sonata and Violin Sonata call for piano playing of great virtuosity, probably because Rhené-Baton intended those parts for himself, while the melody line unfolds in a mode of archaic, neoclassical lyricism. The peak of his achievement in the chamber-music genre, however, is the A minor Piano Trio, composed in 1923. The second movement is a ‘Divertissement sur un vieil air Breton’ – the ‘vieil air’ in question being ‘Gwin ar c’hallaoued’ (the wine of Gall), one of the best-known Breton tunes.