The Art of Hans Knappertsbusch with the Berliner Philharmoniker
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Label: Scribendum
Cat No: SC827
Format: CD
Number of Discs: 13
Release Date: 9th April 2021
Contents
Works
Coriolan Overture, op.62Symphony no.3 in E flat major, op.55 'Eroica'
Symphony no.5 in C minor, op.67
Symphony no.8 in F major, op.93
Symphony no.9 in D minor, op.125 'Choral' (excerpt)
Symphony no.2 in D major, op.73
Symphony no.3 in F major, op.90
Symphony no.4 in in E flat major 'Romantic'
Symphony no.8 in C minor
Symphony no.9 in D minor
Concerti grossi (12), op.6
» no.5 in D major, HWV323
Symphony no.88 in G major, Hob.1:88Symphony no.94 in G major, Hob.I:94 'The Surprise'
Bad'ner Madl'n Walzer, op.257
Les Preludes: symphonic poem, S97
Kindertotenlieder
Die lustigen Weiber von Windsor (The Merry Wives of Windsor)
» Overture
Palestrina » Prelude to Act 1
Symphony no.8 in B minor, D759 'Unfinished'Die Fledermaus
» Overture
Tausend und eine Nacht, op.346Strauss II, Johann (with Josef Strauss)
Pizzicato Polka, op.234The Nutcracker: Suite, op.71a
Der fliegende Hollander (The Flying Dutchman)
» Overture
Die Meistersinger von Nurnberg » Dance of the apprentices
» Prelude to Act 1
» Prelude to Act 3
Die Walkure » Ride of the Valkyries
Lohengrin » Prelude to Act 3
Parsifal » Transformation music (Act 1)
Tannhauser » Bacchanale
» Entrance of the Guests (Act 2)
Invitation to the Dance (Aufforderung zum Tanze), J260Italienische Serenade (Italian Serenade) in G major
Artists
Lucretia West (mezzo-soprano)Erna Berger (soprano)
Torsten Ralf (tenor)
Der Kittelische Chor
Berliner Philharmoniker
Conductor
Hans KnappertsbuschWorks
Coriolan Overture, op.62Symphony no.3 in E flat major, op.55 'Eroica'
Symphony no.5 in C minor, op.67
Symphony no.8 in F major, op.93
Symphony no.9 in D minor, op.125 'Choral' (excerpt)
Symphony no.2 in D major, op.73
Symphony no.3 in F major, op.90
Symphony no.4 in in E flat major 'Romantic'
Symphony no.8 in C minor
Symphony no.9 in D minor
Concerti grossi (12), op.6
» no.5 in D major, HWV323
Symphony no.88 in G major, Hob.1:88Symphony no.94 in G major, Hob.I:94 'The Surprise'
Bad'ner Madl'n Walzer, op.257
Les Preludes: symphonic poem, S97
Kindertotenlieder
Die lustigen Weiber von Windsor (The Merry Wives of Windsor)
» Overture
Palestrina » Prelude to Act 1
Symphony no.8 in B minor, D759 'Unfinished'Die Fledermaus
» Overture
Tausend und eine Nacht, op.346Strauss II, Johann (with Josef Strauss)
Pizzicato Polka, op.234The Nutcracker: Suite, op.71a
Der fliegende Hollander (The Flying Dutchman)
» Overture
Die Meistersinger von Nurnberg » Dance of the apprentices
» Prelude to Act 1
» Prelude to Act 3
Die Walkure » Ride of the Valkyries
Lohengrin » Prelude to Act 3
Parsifal » Transformation music (Act 1)
Tannhauser » Bacchanale
» Entrance of the Guests (Act 2)
Invitation to the Dance (Aufforderung zum Tanze), J260Italienische Serenade (Italian Serenade) in G major
Artists
Lucretia West (mezzo-soprano)Erna Berger (soprano)
Torsten Ralf (tenor)
Der Kittelische Chor
Berliner Philharmoniker
Conductor
Hans KnappertsbuschAbout
One of five box-sets exploring Hans Knappertsbusch’s high-risk strategy in which he relies upon the ‘magic of the moment’ to reveal previously undiscovered musical insights.
His interpretations of composers’ works lead to pleasing new discoveries, even within well-known scores.
Knappertsbusch disliked rehearsals intensely, believing that they were an inhibiting influence. He firmly believed in the inspiration of the moment being central to every performance, taking on Wagner’s idea of spontaneity and tempo modification.
His courageous artistry is clearly demonstrated in each of the five sets in this collection.
Recordings: 1941-1957
His interpretations of composers’ works lead to pleasing new discoveries, even within well-known scores.
Knappertsbusch disliked rehearsals intensely, believing that they were an inhibiting influence. He firmly believed in the inspiration of the moment being central to every performance, taking on Wagner’s idea of spontaneity and tempo modification.
His courageous artistry is clearly demonstrated in each of the five sets in this collection.
Recordings: 1941-1957
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