Dove - In Exile
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Cat No: SRCD413
Number of Discs: 1
Release Date: 3rd March 2023
ArtistsSimon Keenlyside (baritone)
Raphael Wallfisch (cello)
Jonathan Dove (piano)
City of Birmingham Symphony Orchestra
The subject matter was suggested by the Wallfisch family history. Raphael’s father fled, together with his mother and brother, to Palestine from Breslau in 1937, and his mother, Anita Lasker-Wallfisch, is a concentration camp survivor. She has written of the persecution of her Jewish family during the Second World War and her own incarceration in Auschwitz and Belsen, where her skill as a cellist saved her life. Knowing of these events, Jonathan Dove was inspired to base the work’s theme on the universal experience of refugees being exiled from their homeland.
Jonathan Dove writes of the piece, ‘In Exile moves through a day in the life of an involuntary exile: waking alone in a foreign land; remembering the moment of banishment, the moment of departure, the voyage; remembering the homeland. The Exile feels the pain of being so far away in his country’s time of need, unable to help his own people. He remembers all the names he has been called in this strange land. He thinks of all he has lost, and longs for home.’
In Raphael Wallfisch’s words: ‘the cello represents the soul and spirit of the Exile, the baritone is that person and sings the dramatic and often challenging texts. Jonathan’s lyrical style lends itself so naturally to the cello. He exploits every register from the lowest to the highest notes. The cello comments on the sung texts.’
Night Song, a short piece for cello and piano, is derived from the final section of In Exile. In the calm closing moments of the work the baritone sings of his loss in the words of the poet Douglas Hyde: ‘My grief on the sea, / How the waves of it roll - / For they heave between me / And the love of my soul.’ Night Song was written partly at the request of the Rachel Baker Memorial Charity – who commissioned the orchestral work – and partly in response to the strong reaction of the first audiences who connected with this uncomplicated musical expression.
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