Winner of the Royal Philharmonic Society Award for Best Young Artist 2009, countertenor Iestyn Davies demonstrated that he is the outstanding artist of his generation. His expressiveness of tone, intensity of sound and musicianship were brought to bear in concert, and, of course, in opera, where his natural sense of drama stole many a show and, significantly, brought the spotlight back to the countertenor voice.

Iestyn Davies emerged as one of the country’s leading countertenors following his prize in the London Handel Singing Competition in 2004, only shortly after completing his studies at St John’s College, Cambridge as a choral scholar. He was immediately identified as an exciting operatic prospect, and his rôles soon included Ottone in Monteverdi’s L’incoronazione di Poppea (Zurich Opera with Harnoncourt), Corrado in Vivaldi’s Griselda (Ensemble Matheus with Spinosi), and Hamor in Handel’s Jephtha (Welsh National Opera). Engagements quickly extended to rôles in Monteverdi’s Il ritorno d’Ulisse in patria, also at WNO and the parts of Apollo in Britten’s Death in Venice and Arsace, Partenope for English National Opera. He is equally active on the concert platform, appearing with many of the leading British ensembles, including the Academy of Ancient Music, Polyphony and the Monteverdi Choir. He made his solo recording début in Vivaldi’s Griselda with Ensemble Matheus for Naïve. This recital was part of the Wigmore's Hall's ongoing 'Art of the Countenor' series, which also featured Andreas Scholl and Bejun Mehta.