Raphaël Cendo's music captures all our senses. The principle of this music is 'a thwarting of the limit, thanks to an excess of energy': releasing the instrumental energy, bringing the performer's body into the field of the composition, making the concert no longer a simple disaffected representation but a basic musical act, a sound ritual in which the performer is the officiant. This calls for mad virtuosity from the performers. The sound is metamorphosed. It is no longer a matter of planning but of losing oneself; it is no longer a matter of organising but of cutting a path in an unstable, wild and unknown world, for what is written as much as for he who plays it and he who receives it.