View all recordings of works by this composer
Abendzauber, WAB57 (arr. Hansjorg Albrecht for organ) (2)Abendzauber, WAB57 (arr. for organ and brass ensemble) (1)
Aequale no.1 for 3 trombones (arr. Hansjorg Albrecht for organ) (2)
Aequale no.1 for three trombones (6)
Aequale no.2 for 3 trombones (arr. Hansjorg Albrecht for organ) (2)
Aequale no.2 for three trombones (6)
Afferentur regi, WAB1 (9)
Alpine Blessing, Thunder and Rain Machine (2)
Andante in D flat major (arr. Michael Holtzel) (1)
Andante in D minor (3)
Andante in E flat major (2)
An dem Feste, WAB59 (1)
Asperges me, WAB4 (1)
Ave Maria, WAB5 (5)
Ave Maria, WAB6 (arr. Herman Jeurissen) (1)
Ave Maria, WAB6 (arr. brass septet) (1)
Ave Maria, WAB6 (28)
Ave Maria, WAB7 (6)
Ave Maria (10)
Cantata for Dechant Jokok Stutz, WAB15 (1)
Cantata for Prelate Friedrich Mayer, WAB60 (1)
Chorales (3) (1)
Christus factus est, WAB10 (1)
Christus factus est, WAB11 (arr. 2 trumpets and 3 trombones) (1)
Christus factus est, WAB11 (arr. Herman Jeurissen) (1)
Christus factus est, WAB11 (arr. for double bass quartet) (1)
Christus factus est, WAB11 (26)
Christus factus est (6)
Chromatic Etude (2)
Das Lied vom deutschen Vaterland, WAB78 (1)
Der Lehrerstand, WAB77 (arr. Franz Farnberger) (1)
Der Lehrerstand, WAB77 (1)
Der Mondabend, WAB200 (1)
Der Mondabend, WABdeest29 (1)
Der deutsche Gesang (Das deutsche Lied), WAB63 (1)
Des Dankes Wort sei mir vergonnt, WAB62 (1)
Des Hochsten Preis, WAB95/2 (1)
Dir Herr, Dir will ich mich ergeben, WAB12 (2)
Duet in A minor (1)
Ecce quomodo (1)
Ecce sacerdos magnus, WAB13 (arr. Hansjorg Albrecht for organ) (2)
Ecce sacerdos magnus, WAB13 (arr. Herman Jeurissen) (1)
Ecce sacerdos magnus, WAB13 (13)
Erinnerung, WAB117 (arr. Herman Jeurissen) (1)
Erinnerung, WAB117 (5)
Etude in C major (1)
Etude in G major (2)
Fantasie in G major (5)
Fantasies (4) (2)
Fantasy in C major (reconstr.) (1)
Freier Sinn und hoher Mut, WAB147 (1)
Fruhlingslied, WAB68 (2)
Fugue in D minor, WAB125 (2)
Galop in C major (1)
Helgoland (3)
Herbstkummer, WAB72 (2)
Herbstlied, WAB73 (1)
Herz Jesu-Lied, WAB144 (1)
Iam lucis orto sidere, WAB18 (2)
Im April, WAB75 (4)
Improvisationsskizze Bad Ischl (arr. Erwin Horn) (2)
In jener letzten der Nachte, WAB17 (choral version) (1)
In jener letzten der Nachte, WAB17 (4)
Intermezzo in D minor, WAB113 (6)
Inveni David, WAB19 (8)
Klavierstuck in E flat major (3)
Kleine Stucke (3) for piano 4 hands, WAB124 (1)
Kronstorfer Messe, WAB146 (1)
Lancier-Quadrille (4) (3)
Lasst Jubeltone laut erklingen, WAB76 (1)
Latin Motets (1)
Libera me, WAB22 (arr. Hansjorg Albrecht for organ) (2)
Libera me, for choir, three trombones and organ, WAB22 (2)
Libera me Domine, WAB21 (5)
Locus iste, WAB23 (arr. 3 trombones and tuba) (1)
Locus iste, WAB23 (arr. Chris Robertson) (1)
Locus iste, WAB23 (arr. for double bass quartet) (1)
Locus iste, WAB23 (34)
Magnificat, WAB24 (2)
March in C major (1)
March in D minor, WAB96 (arr. for organ) (3)
March in D minor, WAB96 (3)
March in D minor (1)
Mass in C major, WAB25 'Windhaager' (4)
Mass no.1 in D minor (3)
Mass no.2 in E minor (13)
Mass no.3 in F minor (1893 version) (1)
Mass no.3 in F minor (14)
Mazurka in A minor (2)
Mein Herz und deine Stimme, WAB79 (4)
Military March in E flat major, WAB116 (1)
Minuetto in C major (1)
Minuetto in G major (2)
Missa solemnis in B flat minor, WAB29 (2)
Nachruf, WAB81a (arr. Herman Jeurissen) (1)
Nachspiel in D minor (2)
O du liebes Jesu Kind, WAB145 (3)
Offertorium, WAB1 (arr. Milos Bok) (1)
Os justi meditabitur, WAB30 (arr. brass septet) (1)
Os justi meditabitur, WAB30 (20)
Os justi meditabitur sapientiam (6)
Overture in G minor, WAB98 (arr. for organ) (3)
Overture in G minor, WAB98 (4)
Pange lingua, WAB33 (14)
Pange lingua in C major, WAB31 (2)
Periodi musicali (2) in C major (1)
Piano Sonata in G minor (3)
Pieces (3), WAB97 (arr. for organ) (3)
Pieces (3), WAB97 (3)
Polka in C major (2)
Postlude in D minor, WAB126 (1)
Prelude and Fugue in C minor, WAB131 (4)
Prelude in C major, WAB129 (Perger Praludium) (6)
Psalm 112 in B flat major 'Lobet den Herrn', WAB35 (3)
Psalm 114 in G major 'Liebe, liebe erfullt mich', WAB36 (1)
Psalm 146 in A major for soloists, chorus and organ, WAB37 (3)
Psalm 150 'Halleluja! Lobet den Herrn in seinem Heiligtum', WAB38 (arr. for organ) (2)
Psalm 150 'Halleluja! Lobet den Herrn in seinem Heiligtum', WAB38 (3)
Quadrille for piano 4 hands, WAB121 (orch. W Dorner) (3)
Quadrille for piano 4 hands, WAB121 (1)
Requiem in D minor, WAB39 (3)
Rondo in C minor, WAB208 (3)
Rondo in G major no.1 (1)
Rondo in G major no.2 (1)
Salvum fac populum tuum, WAB40 (6)
Standchen, WAB84 (1)
Steiermarker in G major, WAB122 (arr. Herman Jeurissen) (1)
Steiermarker in G major, WAB122 (2)
Steiermarker (2)
Stille Betrachtung an einem Herbstabend (4)
String Quartet in C minor, WAB111 (8)
String Quintet in F major, WAB112 (arr. Gerd Schaller for large orchestra) (1)
String Quintet in F major, WAB112 (arr. Peter Stangel as Chamber Symphony) (1)
String Quintet in F major, WAB112 (arr. string orchestra) (1)
Symphonic Prelude in C minor, WAB297 (arr. E Horn for organ) (2)
Symphonic Prelude in C minor, WAB297 (1)
Symphonies 0-9 (complete) (5)
Symphonies 1-9 (complete) (19)
Symphony no.0 in D minor 'Nullte', WAB100 (trans. E Horn for organ) (2)
Symphony no.0 in D minor 'Nullte', WAB100 (10)
Symphony no.0 in D minor 'Nullte' (8)
Symphony no.00 in F minor (Study Symphony) (arr. for organ) (2)
Symphony no.00 in F minor (Study Symphony) (14)
Symphony no.1 in C minor (Linz version, 1868) (3)
Symphony no.1 in C minor (Linz version, arr. Erwin Horn for organ) (2)
Symphony no.1 in C minor (Linz version, ed. Robert Haas) (1)
Symphony no.1 in C minor (Vienna version, 1891) (2)
Symphony no.1 in C minor (original version, 1865-66) (5)
Symphony no.1 in C minor (revised Linz version, ed. L Nowak) (1)
Symphony no.1 in C minor (27)
Symphony no.2 in C minor (1872 version) (6)
Symphony no.2 in C minor (1877 version) (arr. for organ) (2)
Symphony no.2 in C minor (1877 version) (12)
Symphony no.2 in C minor (chamber arrangement by Anthony Payne) (1)
Symphony no.2 in C minor (15)
Symphony no.3 in D minor (1873 ed. Nowak) (1)
Symphony no.3 in D minor (1873 version) (10)
Symphony no.3 in D minor (1874 version) (1)
Symphony no.3 in D minor (1877 version) (9)
Symphony no.3 in D minor (1878 version, ed. Oeser) (1)
Symphony no.3 in D minor (1889 version) (11)
Symphony no.3 in D minor (1890 version) (2)
Symphony no.3 in D minor (arr. Erwin Horn for organ) (2)
Symphony no.3 in D minor (41)
Symphony no.4 in in E flat major 'Romantic' (1876 version) (2)
Symphony no.4 in in E flat major 'Romantic' (1878 version with 'Volksfest' finale) (6)
Symphony no.4 in in E flat major 'Romantic' (1878/80 version) (24)
Symphony no.4 in in E flat major 'Romantic' (1888 version) (6)
Symphony no.4 in in E flat major 'Romantic' (arr. Thomas Schmogner for organ) (2)
Symphony no.4 in in E flat major 'Romantic' (revised version) (2)
Symphony no.4 in in E flat major 'Romantic' (82)
Symphony no.5 in B flat major (arr. Gerd Schaller for organ) (1)
Symphony no.5 in B flat major (ed. Schalk) (1)
Symphony no.5 in B flat major (transcr. Matthias Giesen for organ) (1)
Symphony no.5 in B flat major (72)
Symphony no.6 in A major (arr. Eberhard Klotz for organ) (2)
Symphony no.6 in A major (59)
Symphony no.7 in E major (arr. E Stein/H Eisler/K Rankl) (3)
Symphony no.7 in E major (arr. Erwin Horn for organ) (2)
Symphony no.7 in E major (arr. Hermann Behn for 2 pianos) (1)
Symphony no.7 in E major (ed. Haas) (3)
Symphony no.7 in E major (ed. Nowak) (7)
Symphony no.7 in E major (116)
Symphony no.8 in C minor (1887 version) (5)
Symphony no.8 in C minor (1888 version) (1)
Symphony no.8 in C minor (1890 version, ed. Nowak) (13)
Symphony no.8 in C minor (Haas edition) (10)
Symphony no.8 in C minor (arr. Erwin Horn for organ) (2)
Symphony no.8 in C minor (69)
Symphony no.9 in D minor (compl. & arr. Gerd Schaller for organ) (2)
Symphony no.9 in D minor (compl. G Schaller, arr. E Horn for organ) (2)
Symphony no.9 in D minor (completed by Gerd Schaller) (4)
Symphony no.9 in D minor (ed. Nowak) (5)
Symphony no.9 in D minor (finale completed by Nors S Josephson) (1)
Symphony no.9 in D minor (four-movement version) (4)
Symphony no.9 in D minor (transcr. for two pianos by M Giesen and K Laczika) (1)
Symphony no.9 in D minor (82)
Tantum ergo, WAB32 (4)
Tantum ergo, WAB41 (3)
Tantum ergo, WAB42 (5)
Tantum ergo, WAB43 (1)
Tantum ergo, WAB44 (1)
Tantum ergo (1)
Te Deum in C major, WAB45 (23)
Tenebrae (1)
Theme and Variations in E flat major, WAB210 (1)
Theme and Variations in G major (1)
Theme in F major (1)
Themes and Variations (5), WAB223 (1)
Tota pulchra es, WAB46 (17)
Totenlied no.1 in E flat major, WAB47 (1)
Totenlied no.2 'O ihr, die ihr heut mit mir zum Grabe geht', WAB48 (3)
Traumen und Wachen, WAB87 (1)
Trosterin Musik, WAB88 (2)
Um Mitternacht, WAB89 (1)
Um Mitternacht, WAB90 (2)
Vaterlandisches Weinlied, WAB91 (1)
Vexilla regis, WAB51 (13)
Virga Jesse floruit, WAB52 (28)
Volkslied, WAB94 (1)
Waltz in C major (2)
Waltz in E flat major (2)
Wie bist du, Fruhling, gut und treu, WAB58 (2)
Wir alle, jung und alt, WAB148/2 (1)
Zur Vermahlungsfeier, WAB54 (1)
Anton Bruckner ( 4 September 1824 – 11 October 1896) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.
Unlike other musical radicals, such as Richard Wagner or Hugo Wolf who fitted the enfant terrible mould, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music.
His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms (and detractors of Wagner), who pointed to their large size, use of repetition, and Bruckner's propensity to revise many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler, who described him as "half simpleton, half God".
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