Isaac - Ein Frolich Wesen (Secular & textless music)
£15.15
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Label: Christophorus
Cat No: CHR77360
Format: CD
Number of Discs: 1
Release Date: 14th January 2013
Contents
Works
Numqua fue pena maiorEen vroylic wesen
Fortuna desperata
Le serviteur hault guerdonne
Benedictus qui venit
Der Hundt: Das Kind lag in der Wiegen
De tous bien plaine
En vrolic wessen
Et je boi d'autant
Fortuna - Bruder Conrat
Fortuna desperata
Fortuna disperata - Sancte Petre, ora pro nobis
Fortuna in mi
Frater Conradus - Exemplum
In meinem Sinn
J'ay pris amours
La Spagna
Le serviteur
Mon pere m'a donne mari
Palle palle
Par ung iour de matinee
Sanctus
Tart ara
Tristitia vestra
Numqua fue pena maior
Artists
Les FlamboyantsConductor
Michael FormWorks
Numqua fue pena maiorEen vroylic wesen
Fortuna desperata
Le serviteur hault guerdonne
Benedictus qui venit
Der Hundt: Das Kind lag in der Wiegen
De tous bien plaine
En vrolic wessen
Et je boi d'autant
Fortuna - Bruder Conrat
Fortuna desperata
Fortuna disperata - Sancte Petre, ora pro nobis
Fortuna in mi
Frater Conradus - Exemplum
In meinem Sinn
J'ay pris amours
La Spagna
Le serviteur
Mon pere m'a donne mari
Palle palle
Par ung iour de matinee
Sanctus
Tart ara
Tristitia vestra
Numqua fue pena maior
Artists
Les FlamboyantsConductor
Michael FormAbout
Thanks mainly to the efforts of Guido Adler, the young field of musicology at the beginning of the 20th century applied itself to making a case for Isaac. Prompted by Adler, Anton Webern wrote his dissertation at Vienna University on the second part of Isaac's Choralis Constantinus in 1909.
It is no great surprise that general interest focused on Isaac's monumental oeuvre of sacred music - no other composer of the Renaissance wrote a greater number of mass cycles. His secular songs could not but appear pale in comparison, despite the fact that some of these songs, such as 'Innsbruck, ich muss dich lassen' ('Innsbruck, I must part from thee'), were held in unparalleled regard.
Unfortunately, Isaac's music became increasingly marginalised in the course of the second half of the twentieth century and is currently - and unduly - neglected, as reflected by the lack of a complete edition of his work. Aside from some performing editions and anthologies, his secular works in particular are only available in an edition by Johannes Wolf (Vienna, 1907), which is in dire need of a revision.
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