David Rosenboom - In the Beginning
£26.55
Usually available for despatch within 2-3 working days
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
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Label: New World Records
Cat No: NW80735
Format: CD
Number of Discs: 2
Release Date: 14th January 2013
Contents
Artists
Mike Svoboda (trombone)William Winant (percussion)
Erika Duke-Kirkpatrick (cello)
Aniela Perry (cello)
Derek Stein (cello)
April Guthrie (cello)
Jane Grothe (harp)
David Rosenboom (piano)
Amy Tatum (flute)
Claire Chenette (oboe)
Andrew Leonard (clarinet)
Briana Lehman (bassoon)
Daniel Rosenboom (trumpet)
Marissa Benedict (trumpet)
Steven Suminsky (trombone)
Doug Tornquist (tuba)
Danny Holt (piano)
Richard Valitutto (piano)
Nicholas Terry (percussion)
Matthew Cook (percussion)
Andrew Tholl (violin)
Mark Menzies (viola)
Derek Stein (cello)
Maggie Hasspacher (double bass)
Midnight Winds
Conductor
David RosenboomWorks
In the BeginningArtists
Mike Svoboda (trombone)William Winant (percussion)
Erika Duke-Kirkpatrick (cello)
Aniela Perry (cello)
Derek Stein (cello)
April Guthrie (cello)
Jane Grothe (harp)
David Rosenboom (piano)
Amy Tatum (flute)
Claire Chenette (oboe)
Andrew Leonard (clarinet)
Briana Lehman (bassoon)
Daniel Rosenboom (trumpet)
Marissa Benedict (trumpet)
Steven Suminsky (trombone)
Doug Tornquist (tuba)
Danny Holt (piano)
Richard Valitutto (piano)
Nicholas Terry (percussion)
Matthew Cook (percussion)
Andrew Tholl (violin)
Mark Menzies (viola)
Derek Stein (cello)
Maggie Hasspacher (double bass)
Midnight Winds
Conductor
David RosenboomAbout
The In the Beginning series exemplifies the idea of model-building as a compositional process. A simple process is defined, and is carried out rigorously at as many different levels of the music as possible, producing a complexity from simple elements that can be felt, somehow, while moving one’s attention freely from its micro to macro levels, and everywhere else between. The composer plays inside it, using it freely, stretching it into different forms. The play one experiences in hearing the work is a reflection of the purposeful play that went into its creation.
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