Salomone Rossi - Jewish Polyphony at the Gonzaga Court
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Label: Glossa - Cabinet
Cat No: GCDC80006
Format: CD
Number of Discs: 1
Release Date: 11th March 2013
Contents
Works
Alemana detta la GhisilardiGiga detta la Bargelina
Barekhu
Cor mio, deh non languire
Gagliarda a 5, detta la Massara
Gia del volto - seconda parte
Keter
Odekha ki'anitani
Ond'ei di morte - seconda parte
Ornasti il veggio - prima parte
Rimanti in pace! - prima parte
Sinfonia a 5
Sinfonia grave a 5
Tu parti, ahi lasso!
Yithadal
Draw on, sweet night
Artists
Katelijne von LaethemPascal Bertin
Eitan Sorek
Josep Benet
Ensemble Daedalus
Conductor
Roberto FestaWorks
Alemana detta la GhisilardiGiga detta la Bargelina
Barekhu
Cor mio, deh non languire
Gagliarda a 5, detta la Massara
Gia del volto - seconda parte
Keter
Odekha ki'anitani
Ond'ei di morte - seconda parte
Ornasti il veggio - prima parte
Rimanti in pace! - prima parte
Sinfonia a 5
Sinfonia grave a 5
Tu parti, ahi lasso!
Yithadal
Draw on, sweet night
Artists
Katelijne von LaethemPascal Bertin
Eitan Sorek
Josep Benet
Ensemble Daedalus
Conductor
Roberto FestaAbout
“The present program shows all facets of the oeuvre of Salomone Rossi (c.1570-c.1630), from madrigals to instrumental works and pieces for the Jewish liturgy. There is an emphasis on Rossi's role in developing continuo practices, and his work certainly shows a concern for these issues. In addition, the Jewish liturgical music is particularly unique and worthy of note. The style is somewhat simpler and more syllabic, but certainly in line with Rossi's other music, especially some of the instrumental works. The present liner notes also suggest that Rossi's interest in music for the Jewish temple, with it's syllabic monophonic tradition influenced his ideas on the developing monody, and consequently those developments as a whole.
There was some controversy at the time about whether polyphonic settings (for between three & eight voices) were welcome in the Jewish temple. Nonetheless, they are fast becoming classics today, and show a glimpse into one of the rare periods in which Jewish & Christian culture interacted strongly and without ill feelings.” - Medieval.org
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