Brodsky Quartet: In the South | Chandos CHAN10761

Brodsky Quartet: In the South


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Label: Chandos

Cat No: CHAN10761

Format: CD

Number of Discs: 1

Genre: Chamber

Release Date: 2nd April 2013



Brodsky Quartet


Paganini, Nicolo

Caprices (24) for solo violin, op.1
» no.6 in G minor 'The Trill' (arr. for string quartet by Paul Cassidy)
» no.24 in A minor (arr. for string quartet by Paul Cassidy)

Piazzolla, Astor

Four for Tango

Puccini, Giacomo


Turina, Joaquin

La oracion del torero, op.34

Verdi, Giuseppe

String Quartet in E minor

Wolf, Hugo

Italienische Serenade (Italian Serenade) in G major


Brodsky Quartet


The Brodsky Quartet here turns to the sunshine, bright colours and deep-set passions of the South, performing Latin-inspired music for string quartet by composers who all possessed a strong connection to the ‘South’, whether it was the Mediterranean or South America.

Paganini’s Capricci Nos 6 and 24 need no introduction. They are among the most published and reviewed virtuoso pieces ever composed, and have been frequently arranged over the last two hundred years, with each new reading allowing us to discover Paganini’s art afresh. This version has been arranged by the violinist Paul Cassidy, a long-standing member of the Brodsky Quartet.

We have the chance to hear chamber works by two further Italian composers, who would always be known primarily for their massive achievements in opera. In fact, the sad melodies of Puccini’s Crisantemi would later be used in the tragic fourth act of the opera Manon Lescaut.

The Quartetto in E minor was the only string quartet Verdi ever wrote, and he himself insisted on presenting it as a mere trifle, stating that it was composed ‘in idle moments’ before the premiere of Aida. This Quartet divided opinion. Whereas some reviewers recognised the technical difficulties of the work, others thought Verdi’s Italian temperament inappropriate to instrumental music.

The inspiration to La oración del torero (The Toreador’s Prayer) came to Turina during a Spanish bullfight, during which he watched as a bullfighter received the prayerful Sacrament of Holy Unction, while all around a feverish excitement over the forthcoming fight was overtaking the crowd. The work itself displays elements of French impressionism, combined with strong evocations from the Spanish bullfighting arena.

Four, for Tango, written in 1988 for the Kronos Quartet, is a prime example of Piazzolla’s own style of ‘Nuevo Tango’. This new form of tango became popular around the world, and was generated from combining Argentine folklore with so-called ‘art music’.

Also on this disc is Hugo Wolf’s ‘Italian’ Serenade, a work equally full of captivating rhythms, harmonic warmth, and dancing themes.

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