Pierre Guedron - Airs de cour
£10.40
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Label: Glossa - Cabinet
Cat No: GCDC80007
Format: CD
Number of Discs: 1
Release Date: 1st July 2013
Contents
Works
Cinquiesme EntreePremiere Entree
Prelude
Aux plaisirs, aux delices bergeres
C'en est fait je ne verray plus
Ce penser qui sans fin
Cesses mortels de soupirer
Donc ceste merveille des cieux
Doncques par force
En fin le juste Ciel
Je voudrois bien chanter
Lors que Leandre amoureux
Quand premier je la veis
Quel espoir de guarir
Quel exces de douleur
Quoy? faut-il donc qu'Amour
Si jamais mon ame blesee
Soupirs mesles d'amour
Un jour l'amoureuse Silvie
Praeludium 3
Praeludium 93
Praeludium 97
Praeludium 109
Praeludium 131
Praeludium 175
Praeludium 179
Praeludium 207
Prelude III
Prelude VIII
Prelude XIII
Artists
Claudine Ansermet (soprano)Paolo Cherici (lute)
Works
Cinquiesme EntreePremiere Entree
Prelude
Aux plaisirs, aux delices bergeres
C'en est fait je ne verray plus
Ce penser qui sans fin
Cesses mortels de soupirer
Donc ceste merveille des cieux
Doncques par force
En fin le juste Ciel
Je voudrois bien chanter
Lors que Leandre amoureux
Quand premier je la veis
Quel espoir de guarir
Quel exces de douleur
Quoy? faut-il donc qu'Amour
Si jamais mon ame blesee
Soupirs mesles d'amour
Un jour l'amoureuse Silvie
Praeludium 3
Praeludium 93
Praeludium 97
Praeludium 109
Praeludium 131
Praeludium 175
Praeludium 179
Praeludium 207
Prelude III
Prelude VIII
Prelude XIII
Artists
Claudine Ansermet (soprano)Paolo Cherici (lute)
About
Glossa is now introducing into its catalogue one of the most sought-after titles from the now defunct Symphonia label, and a recording replete with poetry and expertise.
The graceful airs de cour of Pierre Guédron – who worked in the courts of the French kings Henri IV and Louis XIII at the beginning of the 17th century – are interspersed here with lute preludes by leading exponents of the instrument at the time, such as Robert Ballard and Nicolas Vallet.
Soprano Claudine Ansermet and lutenist Paolo Cherici conjure up a recital of singular beauty which takes us back to the world of those early aristocratic salons, such as that of the Marquise de Rambouillet which was known throughout Europe as a centre of the highest order for literature, poetry and music.
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