The Andres Segovia Archive
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Label: Brilliant Classics
Cat No: 9427
Format: CD
Number of Discs: 7
Release Date: 30th September 2013
Contents
Works
Piezas liricas (3)Pieces (4)
Fantaisie
Cancion de Leonardo
Cantos populares finlandeses (2)
Catalanesca
Leyenda Catalana
Preambulo y Sardana
Sardana chigiana
Capriccio diabolico, op.85a 'Homage to Paganini'
Guitar Sonata in D major, op.77 'Omaggio a Boccherini'
Tarantella, Aranci in fiore, op.87
Briviesca, op.67
Ninna nanna, op.19 no.2 (tribute to Ravel)
Piccolo jazz, op.16 (tribute to Duke Ellington)
Preludio, op.17 (tribute to Tchaikovsky)
Preludio, op.19 no.1a (tribute to Faure)
Preludio, op.19 no.1b (tribute to Faure)
Un'immagine, op.24 for 2 guitars (tribute to Franz Schubert)
Guitar Sonata in E major
Donostia, Padre Jose Antonio 'Aita'
Errimina (Nostalgia)Spiritual
Prelude
Pezzi (2)
Colloquio con Andres Segovia
Alba
Etude (Rondo fantastico)
Passacaglia
Prelude, tiento et toccata
Preludio
Pequena Suite, op.80 no.1
Cuadros: Scenes (3) d'Espagne
Fantasie-Sonata, op.A22
Pieces (4), op.32
Cancion y Danza sobre dos Cantigas del Rey Alfonso X
Suite compostelana
Suite
Canco en el mar
Temas de recuerdos (3)
Sicilienne
Theme et variations
Segovia
Canzoni italiane (2)
Una leyenda
Sonatina
Prelude, elegie und rondo
Chansons populaires (2)
Hommage a Manuel de Falla (orch. Angelo Gilardino)
Inventions (5) (Homage to Bach)
Passacaille
Pieces breves (5)
Prelude et interlude
Sonatine
Tempi di mazurka (4)
Sonata-Fantasia
Artists
Ermanno Brignolo (guitar)Orchestra del Conservatorio di Alessandria
Conductor
Paolo FerraraWorks
Piezas liricas (3)Pieces (4)
Fantaisie
Cancion de Leonardo
Cantos populares finlandeses (2)
Catalanesca
Leyenda Catalana
Preambulo y Sardana
Sardana chigiana
Capriccio diabolico, op.85a 'Homage to Paganini'
Guitar Sonata in D major, op.77 'Omaggio a Boccherini'
Tarantella, Aranci in fiore, op.87
Briviesca, op.67
Ninna nanna, op.19 no.2 (tribute to Ravel)
Piccolo jazz, op.16 (tribute to Duke Ellington)
Preludio, op.17 (tribute to Tchaikovsky)
Preludio, op.19 no.1a (tribute to Faure)
Preludio, op.19 no.1b (tribute to Faure)
Un'immagine, op.24 for 2 guitars (tribute to Franz Schubert)
Guitar Sonata in E major
Donostia, Padre Jose Antonio 'Aita'
Errimina (Nostalgia)Spiritual
Prelude
Pezzi (2)
Colloquio con Andres Segovia
Alba
Etude (Rondo fantastico)
Passacaglia
Prelude, tiento et toccata
Preludio
Pequena Suite, op.80 no.1
Cuadros: Scenes (3) d'Espagne
Fantasie-Sonata, op.A22
Pieces (4), op.32
Cancion y Danza sobre dos Cantigas del Rey Alfonso X
Suite compostelana
Suite
Canco en el mar
Temas de recuerdos (3)
Sicilienne
Theme et variations
Segovia
Canzoni italiane (2)
Una leyenda
Sonatina
Prelude, elegie und rondo
Chansons populaires (2)
Hommage a Manuel de Falla (orch. Angelo Gilardino)
Inventions (5) (Homage to Bach)
Passacaille
Pieces breves (5)
Prelude et interlude
Sonatine
Tempi di mazurka (4)
Sonata-Fantasia
Artists
Ermanno Brignolo (guitar)Orchestra del Conservatorio di Alessandria
Conductor
Paolo FerraraAbout
Andrés Segovia, born in 1893 in Linares, Spain, was one of the most important musicians of the 20th century - a virtuoso guitarist whose contribution to modern‐Romantic repertoire included both commissions and transcriptions of baroque/classical works.
Until recently, a significant portion of his music library remained either unknown or consigned to the depths of history. Only in 2001, when the Italian composer, guitarist and scholar Angelo Gilardino was given permission to open the crates containing the maestro’s personal collection of music, did the true extent of his vast repertoire come to light.
The collection ‘The Andrés Segovia Archive’ was thus created with the aim of making the works written for Segovia which remained unpublished (and in some cases never performed) during his lifetime, available to all.
Here it is played by esteemed Italian guitarist Ermanno Brignolo – himself the dedicatee of numerous works by composers such as Ronca and Porqueddu. From Fenerod Peyrot’s Thème et variations to Arregui’s Piezas líricas, the compilation touches on a number of countries, revealing Segovia’s immense international stature at that time.
Brignolo presents an engaging tribute to a precious heritage, one whose range of styles has only served to further enrich 20th‐century guitar music.
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