Amorosi pensieri: Songs for the Habsburg Court
£14.20
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Label: Hyperion
Cat No: CDA68053
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 2nd June 2014
Contents
Works
En lieux d'esbatz m'assault melancolieJe suis amoureux d'une fille
L'arbre d'amour ung fruict d'amaritude
Tel en mesdict qui pour soy la desire
Vous estes si doulce et benigne
Vous perdez temps de me dire mal d'elle
Amorosi pensieri
Anima dolorosa
Con che soavita
O dolci sguardi
Ombra son io
Que me servent mes vers
Sortez regretz
Susanne un jour
Ach weh der Zeit, die ich verzert
Alarm', alarm' o fidi miei pensieri
Amor, che debbo fare
Chi mi consolera
Du hast mich sollen nemen
Ein Lieb nit mehr hat
Venus du und dein Kind
Vola vola pensier
Amour leal
En l'ombre d'ung buissonet
Sans vous ne puis
Artists
CinquecentoWorks
En lieux d'esbatz m'assault melancolieJe suis amoureux d'une fille
L'arbre d'amour ung fruict d'amaritude
Tel en mesdict qui pour soy la desire
Vous estes si doulce et benigne
Vous perdez temps de me dire mal d'elle
Amorosi pensieri
Anima dolorosa
Con che soavita
O dolci sguardi
Ombra son io
Que me servent mes vers
Sortez regretz
Susanne un jour
Ach weh der Zeit, die ich verzert
Alarm', alarm' o fidi miei pensieri
Amor, che debbo fare
Chi mi consolera
Du hast mich sollen nemen
Ein Lieb nit mehr hat
Venus du und dein Kind
Vola vola pensier
Amour leal
En l'ombre d'ung buissonet
Sans vous ne puis
Artists
CinquecentoAbout
A new departure for the wonderful all-male vocal ensemble Cinquecento. They turn to the secular music - generally much less well-known - of the Renaissance masters Philippe de Monte, Jacobus Vaet and Jacob Regnart, whose sacred music they have explored so successfully in previous recordings for Hyperion. Also included are six chansons by Jean Guyot de Châtelet (his name is sometimes Latinized to ‘Castileti’).
This collection is both historically fascinating and stunningly performed. The music is beautiful and sensuous, with the polyphonic arts familiar from sacred works of this period now put to the service of earthly emotions. An expressively melancholic vein pervades many of these works, and one can see them as a precursor to Monteverdi’s madrigals.
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