Carlo Gesualdo da Venosa - Sacrarum Cantionum Quinque Vocibus
£14.49
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Label: Ricercar
Cat No: RIC343
Format: CD
Number of Discs: 1
Release Date: 23rd June 2014
Contents
Works
Ave, Regina caelorumAve, dulcissima Maria
Deus refugium et virtus
Dignare me laudare te
Domine ne despicias
Exaudi Deus deprecationem meam
Hei mihi Domine
Illumina faciem tuam
Laboravi in gemitu meo
Maria, Mater gratiae
O Crux benedicta
O vos omnes
Peccantem me quotidie
Precibus et meritus
Reminiscere miserationum tuarum
Sancti Spiritus Domine
Tribularer si nescirem
Tribulationem et dolorem
Venit lumen tuum Jerusalem
Ave Maris stella
Consonanze stravaganti
Intrata d'organo
Consonanze stravaganti
Artists
Liuwe Tamminga (organ)Odhecaton
Ensemble Mare Nostrum
Conductor
Paolo Da ColWorks
Ave, Regina caelorumAve, dulcissima Maria
Deus refugium et virtus
Dignare me laudare te
Domine ne despicias
Exaudi Deus deprecationem meam
Hei mihi Domine
Illumina faciem tuam
Laboravi in gemitu meo
Maria, Mater gratiae
O Crux benedicta
O vos omnes
Peccantem me quotidie
Precibus et meritus
Reminiscere miserationum tuarum
Sancti Spiritus Domine
Tribularer si nescirem
Tribulationem et dolorem
Venit lumen tuum Jerusalem
Ave Maris stella
Consonanze stravaganti
Intrata d'organo
Consonanze stravaganti
Artists
Liuwe Tamminga (organ)Odhecaton
Ensemble Mare Nostrum
Conductor
Paolo Da ColAbout
Although the madrigals of Carlo Gesualdo da Venosa constitute the best-known part of his oeuvre, his religious music is no less important, revealing a completely different facet of the composer.
Aside from the Responsoria (1611), of which Philippe Herreweghe recently made a magnificent recording (LPH010), most of Gesulado’s religious music was published in 1603 under the title Sacrarum cantionum. Unlike the Responsoria, intended for Holy Week services, the motets of 1603 are settings of texts for all circumstances of the liturgical year.
For this recording, made in the Santa Trinità abbey church in Venosa, Odhecaton has enriched the sound palette of its men’s voices with a few instruments, including an ensemble of violas da gamba.
Liuwe Tamminga counterpoints this programme with selected pieces by Giovanni Maria Trabaci and Giovanni de Macque on an historical organ of the Venosa region.
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