Giovanni Caramiello - Operatic Fantasias for harp and piano and solo harp
£14.20
Usually available for despatch within 2-3 working days
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
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Label: Tactus
Cat No: TC830301
Format: CD
Number of Discs: 1
Release Date: 1st December 2014
Contents
Works
Divertimento Brillante sulla Traviata di Verdi per arpa e pianoforte, op.4Divertimento per arpa sull'Opera Don Carlo di G Verdi
Duetto per arpa e pianoforte sulla Casta Diva del Bellini, op.19
Fantasia Concertante per arpa e pianoforte sull'Opera Poliuto di Donizetti, op.8
Fantasia per arpa con accompagnamento di pianoforte sulla Sonnambula del Bellini, op.10
Fantasia per arpa sul Finale della Norma del Bellini, op.9
Fantasia per arpa sull'Opera Aida di Verdi, op.11
Il Barbiere di Siviglia di Rossini trascritto per arpa e pianoforte, op.92
La Forza del Destino di Verdi: Duetto, op.91
Ricordo Variato della Norma per arpa e pianoforte, op.7
Rimembranze dell’Opera Un Ballo in Maschera di Verdi per arpa, op.17
Artists
Letizia Belmondo (harp)Zsolt Czetner (piano)
Works
Divertimento Brillante sulla Traviata di Verdi per arpa e pianoforte, op.4Divertimento per arpa sull'Opera Don Carlo di G Verdi
Duetto per arpa e pianoforte sulla Casta Diva del Bellini, op.19
Fantasia Concertante per arpa e pianoforte sull'Opera Poliuto di Donizetti, op.8
Fantasia per arpa con accompagnamento di pianoforte sulla Sonnambula del Bellini, op.10
Fantasia per arpa sul Finale della Norma del Bellini, op.9
Fantasia per arpa sull'Opera Aida di Verdi, op.11
Il Barbiere di Siviglia di Rossini trascritto per arpa e pianoforte, op.92
La Forza del Destino di Verdi: Duetto, op.91
Ricordo Variato della Norma per arpa e pianoforte, op.7
Rimembranze dell’Opera Un Ballo in Maschera di Verdi per arpa, op.17
Artists
Letizia Belmondo (harp)Zsolt Czetner (piano)
About
The harp and the Kingdom of Naples: an ancient bond that can be traced back to a period much before the introduction of the pedal harp in Italy. A history that was always poised between 'popular' and 'cultivated' tradition, between the streets and the theatres, between the churches and the drawing-rooms, and was characterised by a great mutual permeability of two musical worlds that, all too often, are regarded as separate and distinct.
The great popularity of the harp in Naples began in the sixteenth century, during the period of the Spanish rule. In Spain the harp was highly appreciated and was often used in the choirs of religious institutions, noble families and the royal family; its popularity soon spread to the Neapolitan musical culture (but not to other Italian regions under the Spanish rule or to Milan).
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