Arnold & Hugo de Lantins - Secular Works
£14.49
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Label: Ricercar
Cat No: RIC365
Format: CD
Number of Discs: 1
Release Date: 22nd January 2016
Contents
Works
Amour servir et honnourer (instrumental)Amour servir et honnourer
Ce jour de l'an, belle je vous supply (instrumental)
Helas emy! ma dame et ma mestresse
Las, pouray je mon martire celer
Ne me vueilles belle oblier
Puisque je suy cyprianes
Puis que je voy, belle, que ne m'ames
Tota pulchra es amica mea (instrumental)
Tota pulchra es amica mea
Celsa sublimatur victoria / Sabine, presul dignissime
Chanter ne scay ce poyse moy (instrumental)
Grant ennuy m'est, tres douce simple et coye (instrumental)
Helas amour, que ce qu'endure
Io sum tuo servo (instrumental)
Je suy exent entre aman pour amour
Mirar non posso ni conzerner (instrumental)
Per amor de costey
Plaindre m'estuet de ma damme jolye
Un seul confort pour mon cuer resjoir
Artists
Le Miroir de MusiqueConductor
Baptiste RomainWorks
Amour servir et honnourer (instrumental)Amour servir et honnourer
Ce jour de l'an, belle je vous supply (instrumental)
Helas emy! ma dame et ma mestresse
Las, pouray je mon martire celer
Ne me vueilles belle oblier
Puisque je suy cyprianes
Puis que je voy, belle, que ne m'ames
Tota pulchra es amica mea (instrumental)
Tota pulchra es amica mea
Celsa sublimatur victoria / Sabine, presul dignissime
Chanter ne scay ce poyse moy (instrumental)
Grant ennuy m'est, tres douce simple et coye (instrumental)
Helas amour, que ce qu'endure
Io sum tuo servo (instrumental)
Je suy exent entre aman pour amour
Mirar non posso ni conzerner (instrumental)
Per amor de costey
Plaindre m'estuet de ma damme jolye
Un seul confort pour mon cuer resjoir
Artists
Le Miroir de MusiqueConductor
Baptiste RomainAbout
The composers Arnold and Hugo de Lantins were natives of the diocese of Liège, but it was in Italy, principally in Pesaro and Venice, that their presence is confirmed between the years of 1420 and 1430.
As with the works of Johannes Ciconia, a fellow native of Liège whose time in Italy had preceded theirs, their secular and sacred compositions are preserved in manuscripts copied in Italy. Closely rubbing shoulders with their illustrious contemporary Guillaume Dufay, the Lantins brothers combined archaic traits with the earliest characteristics of the Renaissance.
Le Miroir de Musique presents a large selection of French and Italian chansons which enriches our view of the cultural sophistication of the Italian courts at the start of the 15th century.
Reviews
Not that these young musicians are slouches technically: an intricate unison line shared on recorder and vielle (in Amour servir) is flawlessly executed. The singers, as I’ve suggested, are on a par with them, the intricate cross-rhythms of Je suy exent being negotiated with distinction. This is one of the most satisfying 15th-century recordings I’ve heard in a while: specialist repertory that doesn’t deserve to be. Fabrice Fitch
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