Sperger - Symphonies 26, 21 & 34 | Deutsche Harmonia Mundi (DHM) 88875056172

Sperger - Symphonies 26, 21 & 34

Label: Deutsche Harmonia Mundi (DHM)

Cat No: 88875056172

Format: CD

Number of Discs: 1

Genre: Orchestral

Release Date: 4th March 2016

Contents

About

Johannes Matthias Sperger was born in Feldsberg in 1750 and trained in Vienna as a contrabassist and composer from 1767. He worked from 1777 in the Hofkapelle of the Archbishop of Pressburg (Bratislava). From 1778 he was also a member in the Wiener Tonkünstlersozietät, in whose concerts he appeared several times with his own works and as soloist. From 1783 to 1786, Sperger was a member of the Hofkapelle of count Ludwig von Erdödy in Kohfidisch. From 1789 he was employed as first contrabassist of the Mecklenburg Schwerin Hofkapelle in Ludwigslust.

He was an extremely productive composer who wrote more than forty-four symphonies, numerous instrumental concertos, among them eighteen double-bass concertos, sonatas, rondos and dances, cantatas, choral works, and airs. He died in Schwerin, aged 62.

The orchestra l’arte del mondo, which was founded by artistic director Werner Ehrhardt in 2004, stands in the tradition of historical performance practice. This is the origin of the orchestra which also presents outstanding performances on modern instruments and with repertoire up to 20th-century composers.

The orchestra’s creation was soon followed by invitations to perform in renowned festivals and concert series – such as the Ludwigsburg Schlossfestspiele, Bonn’s Beethoven festival, Rheingau Musikfestival, Musikfestspielen Mecklenburg-Vorpommern, the Konzerthaus in Berlin, and the Cité de la musique in Paris – and to collaborate with the West German Broadcasting Company (WDR) and Deutschlandfunk.

This ensemble’s interesting oeuvre has been documented on various CD labels. The recording list includes a number of world premieres and rediscovered orchestral works, operas, and oratorios. The recording of Nicolas Méhul’s comic opera L’Irato ou l’Emporté as well as the recording “Liaisons” with soprano Chen Reiss (2011) received the prestigious French award the “Diapason”.

Reviews

These first recordings of three symphonies from the 1780s prove Sperger a more substantial figure: the strength of the minor key works, with their sudden contrasts and bursts of unison writing, take us back to the Sturm und Drang writing of Haydn’s middle period. Springy rhythms and plaintive repeated notes for oboe make the opening movement of the D major symphony a winner; the band give propulsive performances. Nicholas Kenyon

The Observer 28 February 2016

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