Marina Khorkova - klangNarbe
£13.25
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Label: Wergo
Cat No: WER64182
Format: CD
Number of Discs: 2
Release Date: 1st July 2016
Contents
Works
Beschwörung durch Lachen for soprano, monochord, cembalo universal, prepared piano and multiphonics-pianoStreichquartett
VORderGRENZE for clarinet, cello and prepared piano
a_priori for flute and cello
collision für Ensemble
klangNarbe for baritone saxophone, percussion and prepared piano
Artists
Ensemble AscoltaTri Accanto
Beatrix Wagner (flute)
Gerald Eckert (cello)
Alessia Hyunkyung Park (soprano)
Koka Nikoladze (monochord)
Susanne Kabalan (monochord)
Johannes Keller (cembalo universale)
Yulia Draginda (piano)
Marina Khorkova (piano)
Kairos Quintett
Lanet Flores (clarinet)
Caspar Johannes Walter (cello)
Helena Bugallo (piano)
Conductors
Michael WendebergGeorg Kohler
Works
Beschwörung durch Lachen for soprano, monochord, cembalo universal, prepared piano and multiphonics-pianoStreichquartett
VORderGRENZE for clarinet, cello and prepared piano
a_priori for flute and cello
collision für Ensemble
klangNarbe for baritone saxophone, percussion and prepared piano
Artists
Ensemble AscoltaTri Accanto
Beatrix Wagner (flute)
Gerald Eckert (cello)
Alessia Hyunkyung Park (soprano)
Koka Nikoladze (monochord)
Susanne Kabalan (monochord)
Johannes Keller (cembalo universale)
Yulia Draginda (piano)
Marina Khorkova (piano)
Kairos Quintett
Lanet Flores (clarinet)
Caspar Johannes Walter (cello)
Helena Bugallo (piano)
Conductors
Michael WendebergGeorg Kohler
About
The tonal physiognomy of the compositions is 'generally characterized rather by metallic harshness, inhospitable frequencies, raw and menacing sound-values than by tender harmonic whispering', says Dirk Wieschollek in the booklet text of the CD. VORderGRENZE focuses on existential sounds between life and death and on the struggle for breath. The trio klangNarbe, on the other hand, reveals a ragged soundscape. Metallic timbres and noise spectra of the percussion are fused with the multiphonics of the saxophone and the multiphonic (sometimes 17-tone) clusters of a prepared piano.
The performers, including the Ensemble Ascolta, the Trio Accanto as well as the Kairos Quartet, are given substantial leeway through the sometimes graphic notation, which contributes essentially to the energetic effect of the pieces. The metrical freedom of a_priori, for example, is elementary for 'continuously flowing tonal movements fluctuating in colour which go in search of a kind of original tonal state'. The vast majority of the works were recorded by Deutschlandfunk in Cologne especially for this portrait.
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