Violeta Dinescu - Tagebuch (Diary): Works for Flute
£13.25
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Label: Wergo
Cat No: WER73242
Format: CD
Number of Discs: 1
Release Date: 2nd September 2016
Contents
Works
Auf der Suche nach Mozart for flute and harpAus dem Tagebuch III for alto flute solo
Aus dem Tagebuch II for bass flute solo
Aus dem Tagebuch IV for piccolo solo
Aus dem Tagebuch I for flute solo
Aus dem Tagebuch V for contrabass flute solo
Blick III for three flutes
Blick II for five flutes
Blick IV for four flutes
Blick I for two flutes
Blick V for nine flutes
Die Glocke im Meer for flute and four horns
Ichthys for flute, violin and piano
Kata for flute and piano
Artists
Carin Levine (flutes)Stephan Rahn (piano)
Cynthia Oppermann (harp)
Susanne Zapf (violin)
Dauprat-Hornquartett
Works
Auf der Suche nach Mozart for flute and harpAus dem Tagebuch III for alto flute solo
Aus dem Tagebuch II for bass flute solo
Aus dem Tagebuch IV for piccolo solo
Aus dem Tagebuch I for flute solo
Aus dem Tagebuch V for contrabass flute solo
Blick III for three flutes
Blick II for five flutes
Blick IV for four flutes
Blick I for two flutes
Blick V for nine flutes
Die Glocke im Meer for flute and four horns
Ichthys for flute, violin and piano
Kata for flute and piano
Artists
Carin Levine (flutes)Stephan Rahn (piano)
Cynthia Oppermann (harp)
Susanne Zapf (violin)
Dauprat-Hornquartett
About
Violeta Dinescu’s works for solo flute open up a “wonderland” of sounds. The cycle Aus dem Tagebuch is a striking example of this. Along with the five Blicke [Glimpses] for two to nine flutes, the five “diary entries” are interspersed among the other works on this CD to create a dramaturgical sequence. What these miniatures have in common is an expressive character that is strongly metaphorical and associative, able to translate the turbulent mood of the diary entries into clear mental images.
The gestural and mimicking aspects are underscored by experimental sounds and unorthodox playing techniques such as flutter tongue, breath noises, overblown harmonics, multiphonics, glissandos, various kinds of vibrato, and pitchless sounds.
Just as the five “diary entries” are, in Dinescu’s words, “little excursions into the world of the soul,” the “glimpses” allow us a similar view – the musical material of both pieces is closely related. However, while the diary entries place the “world of the soul” under a magnifying glass, the glimpses look at this world from the “distance of memory.”
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