Peter Schreier sings Mozart Lieder
£11.35
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Label: Belvedere
Cat No: BVE08022
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 18th November 2016
Contents
Works
Abendempfindung an Laura, K523An Chloe, K524
An die Einsamkeit, K391
An die Hoffnung, K390
Dans un bois solitaire, K308
Das Kinderspiel, K598
Das Lied der Trennung, K519
Das Traumbild, K530
Das Veilchen, K476
Der Fruhling, K597
Die Verschweigung, K518
Die Zufriedenheit, K349
Die Zufriedenheit, K473
Die betrogne Welt, K474
Die ihr des unermesslichen Weltalls Schopfer ehrt, K619
Komm, liebe Zither, K351
Lied der Freiheit, K506
Lied zur Gesellenreise, K468
Sehnsucht nach dem Fruhling, K596
Wie unglucklich bin ich nit, K147
Artists
Peter Schreier (tenor)Erik Werba (piano)
Works
Abendempfindung an Laura, K523An Chloe, K524
An die Einsamkeit, K391
An die Hoffnung, K390
Dans un bois solitaire, K308
Das Kinderspiel, K598
Das Lied der Trennung, K519
Das Traumbild, K530
Das Veilchen, K476
Der Fruhling, K597
Die Verschweigung, K518
Die Zufriedenheit, K349
Die Zufriedenheit, K473
Die betrogne Welt, K474
Die ihr des unermesslichen Weltalls Schopfer ehrt, K619
Komm, liebe Zither, K351
Lied der Freiheit, K506
Lied zur Gesellenreise, K468
Sehnsucht nach dem Fruhling, K596
Wie unglucklich bin ich nit, K147
Artists
Peter Schreier (tenor)Erik Werba (piano)
About
accompaniment “Die ihr des unermesslichen Weltalls Schöpfer ehrt” K619 from the final year of Mozart’s life, as well as two encore pieces.
Schreier and Werba obviously intended to present Mozart’s entire lied repertoire, except for those songs whose texts were too obviously written from the perspective of a female protagonist.
From today’s perspective the interpretation of the Mozart songs in this recital is remarkably homogeneous. For Peter Schreier, the opera singer, Mozart was the first true romantic composer. The songs are presented in a deeply emotional, but never sentimental manner. The chosen tempos are therefore rather on the slow side of the spectrum and here as well as in the ballad-like song “Das Veilchen” K476, Schreier makes it apparent how he reads Mozart’s mature, through-composed songs as text based and text centered, as if they were foreshadowing Schubert, Schumann and Brahms.
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