Sonic Migrations: Music of Laurie Altman
£26.55
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Label: Neos Music
Cat No: NEOS11614
Format: CD
Number of Discs: 2
Release Date: 10th March 2017
Contents
Works
Brahms Takes for clarinet and string quartetFilaments for two pianos (re-imagined by Randy Bauer)
Laments of the Homeless Women
Miniatures (10) for piano
No Hay Olvido (Sonata) for soprano, flute and guitar
Piano Sonata no.7 'Tanzania'
Selfless Gifts for soprano saxophone and piano
Shirakawa River Song for string quartet
Sonic Drifts for Sensor Augmented Bass Clarinet (SABRe)
Through the Cracks for clarinet and piano
Variations on Rachmaninov (5) for piano
Artists
Laurie Altman (piano)Randy Bauer (piano)
Kuang-Hao Huang (piano)
Clipper Erickson (piano)
Patrice Michaels (soprano)
Matthias Mueller (clarinet, SABRe)
John Bruce Yeh (clarinet)
Andrew Rathbun (saxophone)
Cavatina Duo
Manhattan String Quartet
Works
Brahms Takes for clarinet and string quartetFilaments for two pianos (re-imagined by Randy Bauer)
Laments of the Homeless Women
Miniatures (10) for piano
No Hay Olvido (Sonata) for soprano, flute and guitar
Piano Sonata no.7 'Tanzania'
Selfless Gifts for soprano saxophone and piano
Shirakawa River Song for string quartet
Sonic Drifts for Sensor Augmented Bass Clarinet (SABRe)
Through the Cracks for clarinet and piano
Variations on Rachmaninov (5) for piano
Artists
Laurie Altman (piano)Randy Bauer (piano)
Kuang-Hao Huang (piano)
Clipper Erickson (piano)
Patrice Michaels (soprano)
Matthias Mueller (clarinet, SABRe)
John Bruce Yeh (clarinet)
Andrew Rathbun (saxophone)
Cavatina Duo
Manhattan String Quartet
About
“CD 1 begins with a set of Five Variations (1994) derived from Rachmaninoff’s Piano Sonata, Opus 35, movement 2.
“CD 2 opens with Piano Sonata # 7 (2011), inspired by a trip my wife, Jeannine Hummel and I made to Tanzania in that same year. The initial impetus emerged from the percussive character of hand and finger drumming, and attempting to connect that image directly to the piano, particularly in Movement I.
“The admiration and for me, the blessings of having my music performed so brilliantly by so many inspired, creative and singular musical individuals, has been a gift that I can never repay. Entering into this composers musical world, each one emerged with interpretations and creative commentary that both broadened and elevated content into a place that I could have only hoped and wished for: My own personal place brought out so brilliantly into the world. Thank you all – thank you!”
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