Line Drawings: Music of Jacob van Eyck
£14.20
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Label: ABC Classics
Cat No: ABC4816480
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 2nd February 2018
Contents
Works
Amarilli mia bellaBoffons
Bravade
Comagain for descant recorder
Doen Daphne d'over schoone Maeght
Engels Nachtegaeltje
Excuse moy
Fantasia en Echo
Gabrielle Maditelle
Wat zal men op den Avond doen
d'Lofzangh Marie
Artists
Genevieve Lacey (recorder)About
Born blind at the end of the sixteenth century, Van Eyck came to be hailed as ‘the Orpheus of Utrecht’ in his lifetime and is now regarded as one of the most significant musicians of his generation. As well as being an expert organist, he spearheaded technical and musical developments in bell-ringing, and was appointed as Director of the Carillons of Utrecht in 1628. He is best remembered, however, for his collection of works for solo soprano recorder Der Fluyten Lust-hof (The Flute’s Pleasure Garden) - a collection of over 140 melodies and variations, with themes sourced from popular folk songs, psalms and memorable tunes of the time.
Van Eyck was famously given a pay rise to wander through Janskerkhof public gardens in the evenings, to entertain passers-by on ‘his little flute’ (as the recorder was then called). Line Drawings compiles some of Genevieve Lacey’s favourite works from this collection. The album cover and booklet feature stunning drawings by Brook Andrew, inspired by Van Eyck’s music.
‘Jacob’s been a friend for decades. Almost as long as I’ve been playing the recorder, I’ve been playing Jacob’s music.’ So says Genevieve Lacey of this recording. ‘Perhaps because I first met and loved him when I was little, his voice feels like my instrument’s mother tongue.
‘Jacob’s simple melodies were so sweet for my young fingers. In adolescence, his music expressed things I couldn’t, yet meant with all my being. Jacob was there in my learning-my-craft years, his music urging me through the long, solitary practice tunnel. Nowadays I’m discovering expressive sides of him I didn’t recognise earlier ... He died centuries ago, but he’s shaped me.’
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