Advent Live
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Label: Signum
Cat No: SIGCD535
Format: CD
Number of Discs: 1
Genre: Christmas
Release Date: 19th October 2018
Contents
Works
The linden tree carolNoe, noe
The Clouded Heaven
A Hymn of St Columba
Glory to the Christ Child
Tomorrow shall be my dancing day
Lux mundi
This is the record of John
I know a flower
There is no rose
Vigilate
Palestrina, Giovanni Pierluigi da
Fuit homo missus a DeoThe Angel Gabriel
Adam lay ybounden
I sing of a maiden
The Cherry Tree Carol (arr. Stephen Cleobury)
Tomorrow shall be my Dancing Day (arr. Willcocks)
The Truth from Above (trad.) (arr. Christpher Robinson)
The birth of speech
Artists
The Choir of St John’s College, CambridgeGlen Dempsey (organ)
Joseph Wicks (organ)
Stephanie Childress (violin)
Conductor
Andrew NethsinghaWorks
The linden tree carolNoe, noe
The Clouded Heaven
A Hymn of St Columba
Glory to the Christ Child
Tomorrow shall be my dancing day
Lux mundi
This is the record of John
I know a flower
There is no rose
Vigilate
Palestrina, Giovanni Pierluigi da
Fuit homo missus a DeoThe Angel Gabriel
Adam lay ybounden
I sing of a maiden
The Cherry Tree Carol (arr. Stephen Cleobury)
Tomorrow shall be my Dancing Day (arr. Willcocks)
The Truth from Above (trad.) (arr. Christpher Robinson)
The birth of speech
Artists
The Choir of St John’s College, CambridgeGlen Dempsey (organ)
Joseph Wicks (organ)
Stephanie Childress (violin)
Conductor
Andrew NethsinghaAbout
The Choir of St John’s College, Cambridge’s Advent service is a staple of the British choral world, broadcast on BBC Radio 3 almost every year.
The service features much-loved favourites from the festive season alongside a variety of new works commissioned especially for the event.
This disc of live recordings features performances by the choir from their four most recent services from 2014-17, with director Andrew Nethsingha.
The service features much-loved favourites from the festive season alongside a variety of new works commissioned especially for the event.
This disc of live recordings features performances by the choir from their four most recent services from 2014-17, with director Andrew Nethsingha.
Sound/Video
Paused
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1A Hymn Of St Columba
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2Tomorrow Shall Be My Dancing Day (I)
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3The Truth Sent From Above (Arr. Ralph Vaughan Williams & Christopher Robinson)
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4Adam Lay Ybounden
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5The Cherry Tree Carol (Arr. Stephen Cleobury)
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6Vigilate
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7Fuit Homo Missus A Deo
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8This Is The Record Of John
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9The Linden Tree Carol (Arr. John Woodhead)
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10There Is No Rose
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11The Birth Of Speech
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12The Angel Gabriel From Heaven Came (Arr. Edgar Pettman)
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13I Know A Flower
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14Glory To The Christ Child
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15Lux Mundi
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16I Sing Of A Maiden
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17Tomorrow Shall Be My Dancing Day (II) (Arr. David Willcocks)
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18The Clouded Heaven
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19Noe, Noe
Europadisc Review
For many years now the Christmas season has expanded forward to take up the weeks and months before 24 December in ‘the lead-up to Christmas’. Time was when the season of Advent (commencing in western traditions on the fourth Sunday before Christmas) was taken more thoughtfully as a time of anticipation, reflection and even fasting (before, that is, Advent calendars containing everything from chocolates and gin to beauty products overwhelmed the shelves). So it’s always a special event to welcome a well-conceived disc of Advent music amid the yearly blizzard of Christmas-themed albums. The latest release from St John’s College, Cambridge, on the Signum label is just such a disc, and it makes for immensely rewarding listening.
Taken from BBC broadcasts of the annual St John’s Advent service with carols from four consecutive years (2014-2017), it’s a wide-ranging musical reflection on traditional Advent themes: the coming of Christ, the central figure of Mary, but also the often overlooked ‘forerunner’ St John the Baptist as well as the Second Coming (or Day of Judgement). The emotions involved are far more ambitious than you’ll find on most Christmas albums, and the music included here, all selected by Andrew Nethsingha, the Choir’s current music director, is similarly adventurous, with particular focus on new commissions and pieces with links to Cambridge and St John’s itself. Yet there’s also plenty for traditionalists to enjoy, and all the performances are distinguished by that unique St John’s blend of clarity and tonal richness that have made it a serious rival of its near neighbours at King’s College for the seasonal crown.
The earliest music here comes from the Renaissance, with Palestrina’s motet ‘Fuit homo missus a Deo’ and Orlando Gibbons’s ‘This is the record of John’, the latter featuring a particularly accomplished solo contribution from countertenor Hugh Cutting. At the more traditional end of the spectrum, Vaughan Williams’s ‘The Truth sent from above’, Stephen Cleobury’s arrangement of The Cherry Tree Carol, Edgar Pettman’s celebrated adaptation of the Basque Carol The Angel Gabriel and David Willcocks’s arrangement of ‘Tomorrow shall be my dancing day’ all receive fine, brilliantly nuanced performances. The latter text is also heard in an engaging new setting by James Burton that moves with an easy grace.
Ian Shaw contributes a pair of excellent new settings of ‘Adam lay ybounden’ and ‘I know of a maiden’, the latter featuring an enchanting harp obbligato mesmerisingly realised by Anne Denholm. Further instrumental contributions come from outstanding College violinists Stephanie Childress and Julia Hwang in Tim Watts’s The Birth of Speech, and another challenging new work is James Long’s ear-catching Vigilate, while Paul Comeau’s Lux mundi offers a more sustained pensive mood.
Veteran composers John Joubert and Francis Jackson are represented in ‘There is no rose’ and ‘I know a flower’, while Malcolm Archer’s Linden Tree Carol and Judith Bingham’s The Clouded Heaven are further distinguished additions to the disc’s coverage. With Britten’s A Hymn of Saint Columba and David Bednall ‘Noe, noe’ framing proceedings, Nethsingha has devised an absorbingly satisfying programme that encompasses both old and new, the traditional and the challenging.
The overall flavour of reflection and anticipation is further enhanced by the fact that all these superb performances were captured live on Advent Sunday in their respective years, and you can feel the atmosphere not just from the faint noise of the organ blower but also from the palpable concentration that comes from accounts captured ‘on the wing’. College organists Glen Dempsey and Joseph Wicks offer vibrant support in the accompanied items, and this is surely a disc to savour for years to come. For a season once associated with fasting, it offers a veritable feast that will have you pondering anew on the Advent themes.
Taken from BBC broadcasts of the annual St John’s Advent service with carols from four consecutive years (2014-2017), it’s a wide-ranging musical reflection on traditional Advent themes: the coming of Christ, the central figure of Mary, but also the often overlooked ‘forerunner’ St John the Baptist as well as the Second Coming (or Day of Judgement). The emotions involved are far more ambitious than you’ll find on most Christmas albums, and the music included here, all selected by Andrew Nethsingha, the Choir’s current music director, is similarly adventurous, with particular focus on new commissions and pieces with links to Cambridge and St John’s itself. Yet there’s also plenty for traditionalists to enjoy, and all the performances are distinguished by that unique St John’s blend of clarity and tonal richness that have made it a serious rival of its near neighbours at King’s College for the seasonal crown.
The earliest music here comes from the Renaissance, with Palestrina’s motet ‘Fuit homo missus a Deo’ and Orlando Gibbons’s ‘This is the record of John’, the latter featuring a particularly accomplished solo contribution from countertenor Hugh Cutting. At the more traditional end of the spectrum, Vaughan Williams’s ‘The Truth sent from above’, Stephen Cleobury’s arrangement of The Cherry Tree Carol, Edgar Pettman’s celebrated adaptation of the Basque Carol The Angel Gabriel and David Willcocks’s arrangement of ‘Tomorrow shall be my dancing day’ all receive fine, brilliantly nuanced performances. The latter text is also heard in an engaging new setting by James Burton that moves with an easy grace.
Ian Shaw contributes a pair of excellent new settings of ‘Adam lay ybounden’ and ‘I know of a maiden’, the latter featuring an enchanting harp obbligato mesmerisingly realised by Anne Denholm. Further instrumental contributions come from outstanding College violinists Stephanie Childress and Julia Hwang in Tim Watts’s The Birth of Speech, and another challenging new work is James Long’s ear-catching Vigilate, while Paul Comeau’s Lux mundi offers a more sustained pensive mood.
Veteran composers John Joubert and Francis Jackson are represented in ‘There is no rose’ and ‘I know a flower’, while Malcolm Archer’s Linden Tree Carol and Judith Bingham’s The Clouded Heaven are further distinguished additions to the disc’s coverage. With Britten’s A Hymn of Saint Columba and David Bednall ‘Noe, noe’ framing proceedings, Nethsingha has devised an absorbingly satisfying programme that encompasses both old and new, the traditional and the challenging.
The overall flavour of reflection and anticipation is further enhanced by the fact that all these superb performances were captured live on Advent Sunday in their respective years, and you can feel the atmosphere not just from the faint noise of the organ blower but also from the palpable concentration that comes from accounts captured ‘on the wing’. College organists Glen Dempsey and Joseph Wicks offer vibrant support in the accompanied items, and this is surely a disc to savour for years to come. For a season once associated with fasting, it offers a veritable feast that will have you pondering anew on the Advent themes.
Reviews
This new disc is an important snapshot of the continuing St John’s story, revealing that in recent years, under Andrew Nethsingha’s inspired direction, the choir has retained its renowned clarity, flamboyance and readiness to take risks. The various organ scholars also give splendid support throughout and the whole production is first-class, enhanced by Martin Ennis’s excellent notes. Malcolm RileyGramophone December 2018
Andrew Nethsingha’s splendid choir covers a vast range of repertoire, from Joubert’s There Is No Rose to wholly new works, including David Bednall’s startling Noe, Noe. The intensity of live broadcast gives this music an edge and vibrancy that can disappear in the normal recording process, and it’s poignant to reflect that those boys who sing so beautifully in the earlier years represented here have long since lost their treble voices. Stephen PritchardThe Observer 9 December 2018
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