Hindemith - Complete Works for Violin & Piano, ‘Kleine Sonata’ for Viola d’amore & Piano
£13.25
Usually available for despatch within 2-3 working days
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Quartz
Cat No: QTZ2132
Format: CD
Number of Discs: 1
Genre: Chamber
Release Date: 5th April 2019
Contents
Works
Kleine Sonata for viola d'amore and piano, op.25 no.2Nobilissima Visione
Violin Sonata in C major
Violin Sonata in E major
Violin Sonata no.1 in E flat major, op.11 no.1
Violin Sonata no.2 in D major, op.11 no.2
Artists
Roman Mints (violin, viola d’amore)Alexander Kobrin (piano)
Works
Kleine Sonata for viola d'amore and piano, op.25 no.2Nobilissima Visione
Violin Sonata in C major
Violin Sonata in E major
Violin Sonata no.1 in E flat major, op.11 no.1
Violin Sonata no.2 in D major, op.11 no.2
Artists
Roman Mints (violin, viola d’amore)Alexander Kobrin (piano)
About
Hindemith’s reputation as master composer, viola virtuoso and dominant pedagogue – who, being able to play practically every standard instrument (and a few non-standard ones), expected the same from his students – has tended to obscure the fact that he first came to attention not as a composer or violist, but as a violinist.
Roman Mints has had a lifelong love of the works of Paul Hindemith, which began when he was a young violinist, studying in Moscow in the 1980s. He says “This music, written not just before I was born but closer to the time of my grandparents’ birth, felt completely contemporary, and daringly advanced in its sound – and not just to me, as it turns out: 30 years on, Hindemith is still regarded by concert programmers as too difficult for the wider public. I put Sonata in D on the stand. I was gripped by the first subject, constructed from seconds and sevenths, marked to beplayed ‘with stony defiance’. I was never the same again and he became my window into contemporary music.”
Error on this page? Let us know here
Need more information on this product? Click here