Pergolesi - A Neapolitan Stabat Mater
£13.25
Usually available for despatch within 2-3 working days
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: ICSM Records
Cat No: ICSM012
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 3rd May 2019
Contents
Works
Stabat MaterA cantina (tarantella)
Donna Isabella (canzone)
La Cicerenella (tarantella)
La carpinese (tarantella)
Miserere (Neapolitan)
Stabat Mater (Neapolitan)
Stabat Mater d'Ostuni (Neapolitan)
Tarantellas (instrumental)
Artists
Franck-Emmanuel Comte (organ)Le Concert de l’Hostel Dieu
Conductor
Franck-Emmanuel ComteWorks
Stabat MaterA cantina (tarantella)
Donna Isabella (canzone)
La Cicerenella (tarantella)
La carpinese (tarantella)
Miserere (Neapolitan)
Stabat Mater (Neapolitan)
Stabat Mater d'Ostuni (Neapolitan)
Tarantellas (instrumental)
Artists
Franck-Emmanuel Comte (organ)Le Concert de l’Hostel Dieu
Conductor
Franck-Emmanuel ComteAbout
In order to accompany this dramatisation of the Stabat Mater as well as nourish its intention, Le Concert de l’Hostel de Dieu have integrated various traditional polyphonies (Stabat Mater, Miserere...), songs (Donna Isabella, La Carpinese) and two tarantellas. This juxtaposition of scholarly music and popular art, of the sacred and the profane, conveys the Neapolitan soul. Today, this authentic spirit continues to flourish, especially during Holy Week, through incredible and bewitching ceremonies. Musically, these are characterized by an astonishing convergence of religious songs sung by the celebrants, polyphonies improvised by the confreres in procession carrying the cross, flonflons (loud party music) of the local band interpreting extracts from the Stabat Mater or from a Verdi opera, and simultaneously outdoors, tarantellas are sung, danced and hammered. This musical amalgamation resonates continuously on the forecourts of the churches whose doors have remained ajar... From all this, a collective emotion emerges, one that is mystical and festive, painful and joyous, surprising and troublesome.
Error on this page? Let us know here
Need more information on this product? Click here