JS Bach - Magna Sequentia II: A Grand Suite of Dances | Naxos 8574027

JS Bach - Magna Sequentia II: A Grand Suite of Dances

£12.30

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Label: Naxos

Cat No: 8574027

Format: CD

Number of Discs: 1

Genre: Instrumental

Release Date: 11th October 2019

Contents

Works

Bach, Johann Sebastian

English Suites (6), BWV806-811
» no.3 in G minor, BWV808: Allemande
» no.6 in D minor, BWV811: Gavottes I and II
French Suites (6), BWV812-817
» no.1 in D minor, BWV812: Allemande
» no.6 in E major, BWV817: Polonaise
Overture in the French style, BWV831
» II Courante
» I Overture
» IV Passepieds I & II
» VI Bourrees I & II
» VII Gigue
» VIII Echo
Partita no.3 in A minor, BWV827
» VI Scherzo
Partita no.4 in D major, BWV828
» III Courante
» VII Gigue
Partita no.5 in G major, BWV829
» III Corrente
» V Tempo di Minuetto
Suite in F minor, BWV823
» II Sarabande en rondeau

Artists

Sonia Rubinsky (piano)

Works

Bach, Johann Sebastian

English Suites (6), BWV806-811
» no.3 in G minor, BWV808: Allemande
» no.6 in D minor, BWV811: Gavottes I and II
French Suites (6), BWV812-817
» no.1 in D minor, BWV812: Allemande
» no.6 in E major, BWV817: Polonaise
Overture in the French style, BWV831
» II Courante
» I Overture
» IV Passepieds I & II
» VI Bourrees I & II
» VII Gigue
» VIII Echo
Partita no.3 in A minor, BWV827
» VI Scherzo
Partita no.4 in D major, BWV828
» III Courante
» VII Gigue
Partita no.5 in G major, BWV829
» III Corrente
» V Tempo di Minuetto
Suite in F minor, BWV823
» II Sarabande en rondeau

Artists

Sonia Rubinsky (piano)

About

Sonia Rubinsky’s Magna Sequentia I (8574026) was constructed around a Partita from Bach’s Clavier-Übung I but this second volume focuses on the French Overture from Clavier-Übung II. Each of the 17 movements has been selected to illustrate the different styles and expressive moods of Bach’s dance writing. This unique sequence showcases three specific national styles: the ornate and sophisticated French school, virtuosic Italian writing, and the stricter fugal writing of the German style. Contemporary insights abound in Rubinsky’s historically informed playing.

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