The Farinelli Manuscript
£15.15
In stock - available for despatch within 1 working day
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Label: Glossa
Cat No: GCD923521
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 4th October 2019
Contents
Works
Invan ti chiamo, invan ti cerco, amato... Al dolor che vo' sfogando (?Giacomelli)Son qual nave che agitata (?Farinelli)
Ogni di piu molesto... Non sperar, non lusingarti
Quell'usignolo
Vuoi per sempre abbandonarmi?
Io sperai del porto in seno
Artists
Ann Hallenberg (mezzo-soprano)Stile Galante
Conductor
Stefano AresiWorks
Invan ti chiamo, invan ti cerco, amato... Al dolor che vo' sfogando (?Giacomelli)Son qual nave che agitata (?Farinelli)
Ogni di piu molesto... Non sperar, non lusingarti
Quell'usignolo
Vuoi per sempre abbandonarmi?
Io sperai del porto in seno
Artists
Ann Hallenberg (mezzo-soprano)Stile Galante
Conductor
Stefano AresiAbout
Enticed to Madrid at the height of his powers in 1737 Farinelli provided regular concerts for the Spanish queens, Elisabetta Farnese and Maria Barbara de Bragança and their respective husbands, Felipe V and Fernando VI, singing some 8 or 9 arias at these soirées. According to present-day attributions, amongst the compositional hands discernible in the manuscript is the work of musicians active in Madrid: Niccolo Conforto, Giovanni Battista Mele and Farinelli himself. The music of other prominent Italian composers of the time – Giay, Latilla and Giacomelli – also appear in the manuscript.
Hallenberg sings the written-out ornaments and da capos appearing in Farinelli’s manuscript, with Aresi providing others and following the precise instrumentation and ensemble layout as detailed in court archives. Aresi also contributes an essay for the booklet which continues the debunking of historical misinformation surrounding Farinelli’s time in Madrid.
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