Consort Music
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Label: Australian Eloquence
Cat No: ELQ4828574
Format: CD
Number of Discs: 2
Release Date: 25th October 2019
Contents
Works
AyreMiserere (Parthenia In-Violata)
Alman
Coranto
Galliard
Fantasia for violin, bass viol and continuo
Suite for two violins, bass viol and chamber organ
Suites (2) for violin, bass viol and chamber organ
Lachrimae, or Seaven Teares ... with divers other Pavans, Galiards, and Almands
Pavan
Four-Note Pavan
Four note pavan
Galliard
Galliard
Heigh ho holiday
The Funerals
The Honie-suckle
Captain Hume's Lamentation
Captaine Humes Galliard (The First Part of Ayres no.50)
The Temporiser
The Witty Wanton
Fantasia
Passamezzo Pavan
Alman
Ricercar
Ayre
Artists
Thurston Dart (harpsichord)Philomusica of London
Jacobean Ensemble
Boyd Neel String Orchestra
Conductor
Thurston DartWorks
AyreMiserere (Parthenia In-Violata)
Alman
Coranto
Galliard
Fantasia for violin, bass viol and continuo
Suite for two violins, bass viol and chamber organ
Suites (2) for violin, bass viol and chamber organ
Lachrimae, or Seaven Teares ... with divers other Pavans, Galiards, and Almands
Pavan
Four-Note Pavan
Four note pavan
Galliard
Galliard
Heigh ho holiday
The Funerals
The Honie-suckle
Captain Hume's Lamentation
Captaine Humes Galliard (The First Part of Ayres no.50)
The Temporiser
The Witty Wanton
Fantasia
Passamezzo Pavan
Alman
Ricercar
Ayre
Artists
Thurston Dart (harpsichord)Philomusica of London
Jacobean Ensemble
Boyd Neel String Orchestra
Conductor
Thurston DartAbout
With this and several other albums issued in 2019, Eloquence celebrates the art of Thurston Dart, the harpsichordist, conductor and editor who played a leading role in the early-music revival in postwar Britain. After his death in 1971 at the age of just 49, his fellow harpsichordist Igor Kipnis paid fulsome tribute to ‘a man of many parts’, whose 1954 volume on The Interpretation of Music had attained testamentary authority among his fellow musicians, matched by the skill, style and flourish of his many recordings. ‘He was the ideal musicologist-performer.’
Thurston Dart prepared the performing editions of nearly all the music on this 2-CD compilation, but he struck a fine balance between scholarly rectitude, practical concerns and a performer’s instincts. For the 1957 album of Lachrymae he rearranged Dowland’s original sequence of seven linked pavans (all in the same key) followed by 14 other pieces, and produced instead an extended and varied dance-suite, representing the introvert and extrovert sides of the composer side by side. Mixing old and new instruments, he directed a modern string band playing with old-style bows, plus viols, lute and harpsichord.
From the mid-1950s also date the albums of ‘Jacobean Consort Music’ and ‘Dances from Shakespeare’s Time’ which feature secular tunes and dances by the likes of Gibbons, Holborne and Hume as well as lesser-known names such as Coprario and Brade, all drawn from a variety of sources – in the case of the Consort Music, the scholarly volumes of Musica Britannica in which Dart was a prime mover.
Unavailable for decades, now receiving their first release on CD, they fill out our picture of Dart as, in the words of HC Robbins Landon, an excellent director and ‘a wizard at any keyboard’.
‘Neville Marriner manages [Coprario’s] effects with an uncanny skill and an admirable sense of what Jacobean taste might have been... This is splendid music, for the most part very well played.’ – Gramophone, November 1956 (Jacobean Consort Music)
‘This record made history; it astonished in 1956 by presenting English music for strings of unsuspected beauty and accomplishment. It still astonishes.’ – Gramophone, May 1973 (‘Dances of Shakespeare’s Time’)
‘An outstanding record in its day, and just as outstanding now. The music is ravishingly beautiful, the playing pretty good, the recording well managed... ideal for contemplative listening late at night.’ – Gramophone, November 1973 (Dowland)
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