The thirty-two sonatas by Ludwig van Beethoven are not only a monument of piano literature, but also demonstrate Beethoven’s evolution as composer. Beginning in the Classical tradition of Haydn and Mozart, he developed into a composer with a completely individual voice; he exchanged familiar forms and structures for a unique power of expression.

Beethoven himself was extremely conscious of this evolution, at times openly wondering why some of his earlier works were so popular. After he had completed his fifteenth sonata, he wrote to a good friend, the Czech musician Wenzel Krumpholz, that he was not completely pleased with his own work to date and that his music would take a new direction from then on.


She distinguished herself in several national and international competitions before embarking on a career in which she has appeared both in Belgium and abroad with internationally renowned orchestras under eminent conductors. She is regularly invited to give International Piano Masterclasses in Germany, Britain, Poland, Spain, Iceland, Latvia, Portugal, Slovakia, the Netherlands.

She is also requested as a visiting professor at the International Summer Academy of Music in Krakow. In addition, she is a member of the jury in national and international competitions.