Reflecting Beethoven | C-AVI AVI8553016

Reflecting Beethoven

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Label: C-AVI

Cat No: AVI8553016

Format: CD

Number of Discs: 1

Genre: Instrumental

Release Date: 18th September 2020

Contents

About

Pianist Herbert Schuch has gained a reputation as one of the most interesting musicians of his generation with his strikingly conceived concert programmes and CD recordings. For his latest CD, he sets the works of modern composers against the traditional, but revolutionary works of Beethoven.

‘Beethoven has been pressed into many categories. At times he was seen as the great Titan, at others as an idealist; later approaches occasionally attempted to “de-emotionalize” his music. He simply had an incredible ability to be many things, but his music was never dispassionate. Beethoven could even sound overemotional, and then display dry wit! I see him at a crossroads in music history where he was occasionally still allowed to write plain, simple music, and I find that thoroughly moving.

‘I’m always searching for connections across the centuries. Composers relate to one another, consciously or unconsciously. Henri Pousseur wasn’t thinking at all about Beethoven’s G Major Sonata. When I was thirteen years old, I performed the Pousseur piece at the European Youth Music Competition: it was a compulsory piece, and I won a special prize. It was the first truly “modern” piece in my repertoire, and required things I wasn’t prepared for at all. At the beginning, for example, six different dynamic shadings are overlapping simultaneously in both hands. I found those challenges exciting: after having gone through such an experience, I had “tasted blood” as far as contemporary music was concerned. In the middle of the piece, there is an improvisation on predetermined musical material: I wrote my version down, and have recorded it that way now. At the onset, the piece features a displacement of one semiquaver between the two hands, which is maintained until the phases come together again.

‘This always reminded me of the first movement of Beethoven’s G major Sonata. Beethoven was surely one of the first to discover how such small shifts can generate a kind of jagged, forward-moving energy, and he presents it in a dry, unemotional manner.’

– Herbert Schuch

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