Paladino - Tablature de luth
£10.40
In stock - available for despatch within 1 working day
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Label: Arcana
Cat No: A905
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 15th January 2021
Contents
Works
Alcun non po saper - Fantasia supra al detto MadrigalAncor che col partir (de Rore)
Ave Sanctissima (Sermisy) - Fantasia sopra al detto
Fantasia no.2
Fantasia no.3
Fantasia no.4
Fantasia no.8 senza canto
Gagliarda no.8
Gagliarda no.11
Gaillarde no.4
Or vien sa vien m'amye (Janequin)
Pavana chiamata la Paladina - Gagliarda no.10 sopra la detta
Pavan chiamata la Milanesa - Gagliarda no.7 supra la detta
Pavane no.1
Qual anim' ignorante (Nollet)
Quand'io penso al martir (Arcadelt) - Fantasia supra al detto Madrigal
Vous perdes temps (Sermisy)
Artists
Eugene Ferre (lute)Works
Alcun non po saper - Fantasia supra al detto MadrigalAncor che col partir (de Rore)
Ave Sanctissima (Sermisy) - Fantasia sopra al detto
Fantasia no.2
Fantasia no.3
Fantasia no.4
Fantasia no.8 senza canto
Gagliarda no.8
Gagliarda no.11
Gaillarde no.4
Or vien sa vien m'amye (Janequin)
Pavana chiamata la Paladina - Gagliarda no.10 sopra la detta
Pavan chiamata la Milanesa - Gagliarda no.7 supra la detta
Pavane no.1
Qual anim' ignorante (Nollet)
Quand'io penso al martir (Arcadelt) - Fantasia supra al detto Madrigal
Vous perdes temps (Sermisy)
Artists
Eugene Ferre (lute)About
Because of its favoured geographical situation, the city of Lyon, with its four annual trade fairs, was the unchallenged economic capital of the kingdom of France during the Renaissance period: as Jean Delumeau has underlined: “we have provisionally numbered at 209 the societies of merchant bankers in France during sixteenth century, of which 169 were found in Lyons, and of these 143 were Italian”. These rather rough figures nevertheless show us the role played by the strong Italian community which had settled in the town, even if its representatives were not all merchants. It was in the field of music that the Italians contributed in making Lyons an artistic centre of prime importance. These Italians included the Milanese lutenist and merchant, Giovanni Paolo Paladino.
Following the precedent established by his celebrated contemporary Alberto da Ripa (Albert de Rippe), an Italian lutenist in the service of King Francis I, his works were published under his French name, Jean-Paul Paladin. Paladin offers us pieces which are amongst the most difficult, the most learned but also the most beautiful of the lute repertoire of the sixteenth century. In them virtuosity and the art of composition are always placed in the service of expression.
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