The Art of Hans Knappertsbusch with Famous Staatsorchesters
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Label: Scribendum
Cat No: SC829
Format: CD
Number of Discs: 11
Genre: Orchestral
Release Date: 9th April 2021
Contents
Works
Leonore Overture no.3 in C major, op.72bSymphony no.7 in A major, op.92
Symphony no.8 in F major, op.93
Symphony no.2 in D major, op.73
Symphony no.3 in F major, op.90
Symphony no.3 in D minor
Symphony no.8 in C minor
Symphony no.9 in D minor
Der Barbier von Bagdad
» Overture
Variations on a Theme by Giacomo MeyerbeerRuslan and Lyudmila, op.5
» Overture
Symphony no.88 in G major, Hob.1:88Symphony no.92 in G major, Hob.I:92 'Oxford'
Symphony no.100 in G major, Hob.I:100 'Military'
Bad'ner Madl'n Walzer, op.257
Die Schonbrunner, op.200
Mazeppa: Symphonic poem, S100
Undine
» Overture
German Dances (6), K509German Dances (6), K600
Symphony no.39 in E flat major, K543
Guillaume Tell
» Overture
Marches militaires (3), op.51 D733 » no.1 in D major
Symphony no.8 in B minor, D759 'Unfinished'Symphony no.4 in D minor, op.120
Accelerationen Waltz, op.234
Agyptischer Marsch (Egyptian March), op.335
Annen-Polka, op.117
Bei uns z'Haus (At Home), op.361
Die Fledermaus
» Overture
Donauweibchen waltz, op.427Freut euch des Lebens Waltz, op.340
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), op.325
Kuss-Walzer, op.400
Rosen aus dem Suden, op.388
Tausend und eine Nacht, op.346
Strauss II, Johann (with Josef Strauss)
Pizzicato Polka, op.234Intermezzo, op.72
» Walzerszene
Salome, op.54 » Dance of the Seven Veils
Till Eulenspiegels lustige Streiche, op.28Tod und Verklarung (Death and Transfiguration), op.24
Gotterdammerung
» Dawn and Siegfried's Rhine Journey
» Siegfried's Funeral March (Act 3)
Parsifal » Prelude to Act 1
Der Freischutz, J277 » Overture
Invitation to the Dance (Aufforderung zum Tanze), J260Artists
Rudi Knabl (zither)Bayerisches Staatsorchester
Berlin State Opera Orchestra
Dresden Staatskapelle
Conductor
Hans KnappertsbuschWorks
Leonore Overture no.3 in C major, op.72bSymphony no.7 in A major, op.92
Symphony no.8 in F major, op.93
Symphony no.2 in D major, op.73
Symphony no.3 in F major, op.90
Symphony no.3 in D minor
Symphony no.8 in C minor
Symphony no.9 in D minor
Der Barbier von Bagdad
» Overture
Variations on a Theme by Giacomo MeyerbeerRuslan and Lyudmila, op.5
» Overture
Symphony no.88 in G major, Hob.1:88Symphony no.92 in G major, Hob.I:92 'Oxford'
Symphony no.100 in G major, Hob.I:100 'Military'
Bad'ner Madl'n Walzer, op.257
Die Schonbrunner, op.200
Mazeppa: Symphonic poem, S100
Undine
» Overture
German Dances (6), K509German Dances (6), K600
Symphony no.39 in E flat major, K543
Guillaume Tell
» Overture
Marches militaires (3), op.51 D733 » no.1 in D major
Symphony no.8 in B minor, D759 'Unfinished'Symphony no.4 in D minor, op.120
Accelerationen Waltz, op.234
Agyptischer Marsch (Egyptian March), op.335
Annen-Polka, op.117
Bei uns z'Haus (At Home), op.361
Die Fledermaus
» Overture
Donauweibchen waltz, op.427Freut euch des Lebens Waltz, op.340
Geschichten aus dem Wienerwald (Tales from the Vienna Woods), op.325
Kuss-Walzer, op.400
Rosen aus dem Suden, op.388
Tausend und eine Nacht, op.346
Strauss II, Johann (with Josef Strauss)
Pizzicato Polka, op.234Intermezzo, op.72
» Walzerszene
Salome, op.54 » Dance of the Seven Veils
Till Eulenspiegels lustige Streiche, op.28Tod und Verklarung (Death and Transfiguration), op.24
Gotterdammerung
» Dawn and Siegfried's Rhine Journey
» Siegfried's Funeral March (Act 3)
Parsifal » Prelude to Act 1
Der Freischutz, J277 » Overture
Invitation to the Dance (Aufforderung zum Tanze), J260Artists
Rudi Knabl (zither)Bayerisches Staatsorchester
Berlin State Opera Orchestra
Dresden Staatskapelle
Conductor
Hans KnappertsbuschAbout
One of five box-sets exploring Hans Knappertsbusch’s high-risk strategy in which he relies upon the ‘magic of the moment’ to reveal previously undiscovered musical insights.
His interpretations of composers’ works lead to pleasing new discoveries, even within well-known scores.
Knappertsbusch disliked rehearsals intensely, believing that they were an inhibiting influence. He firmly believed in the inspiration of the moment being central to every performance, taking on Wagner’s idea of spontaneity and tempo modification.
His courageous artistry is clearly demonstrated in each of the five sets in this collection.
Recordings: 1925-1959
His interpretations of composers’ works lead to pleasing new discoveries, even within well-known scores.
Knappertsbusch disliked rehearsals intensely, believing that they were an inhibiting influence. He firmly believed in the inspiration of the moment being central to every performance, taking on Wagner’s idea of spontaneity and tempo modification.
His courageous artistry is clearly demonstrated in each of the five sets in this collection.
Recordings: 1925-1959
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