The Di Martinelli Manuscript: Violin Sonatas of the Late 17th Century
£15.15
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Glossa
Cat No: GCD922521
Format: CD
Number of Discs: 1
Genre: Chamber
Release Date: 11th June 2021
Contents
Works
Violin Sonata in A majorViolin Sonata in B major
Violin Sonata in F major
Violin Sonata in G minor
Violin Sonata in D major
Sonata in G minor
Violin Sonata in B minor
Weissenburg, Johann Heinrich von
Violin Sonata in D minorArtists
Eva Saladin (violin)Johannes Keller (harpsichord)
Sebastian Wienand (harpsichord)
Daniel Rosin (cello)
Works
Violin Sonata in A majorViolin Sonata in B major
Violin Sonata in F major
Violin Sonata in G minor
Violin Sonata in D major
Sonata in G minor
Violin Sonata in B minor
Weissenburg, Johann Heinrich von
Violin Sonata in D minorArtists
Eva Saladin (violin)Johannes Keller (harpsichord)
Sebastian Wienand (harpsichord)
Daniel Rosin (cello)
About
Collected in the manuscript are challenging pieces of various origins, whereby three regional focal points can be ascertained: composers of Flemish-Netherlandish descent (Petersen, Goor), composers from South-German/Habsburg regions (Albicastro, Schmelzer, Pez, Wentzely, Finger and erroneously Biber) and several Italian composers (Cailo, Lonati, Capellini).
All of the musicians on the present recording studied at the Schola Cantorum Basiliensis and represent a new generation in the field of historical musical practice, a generation which combines high technical mastery with curiosity for the historical fundamentals and joy in experimentation.
Eva Saladin, of Swiss-Dutch descent, is meanwhile one of the most renowned representatives of her generation on the baroque violin. The basso continuo team joining her for this project (Johannes Keller, Sebastian Wienand and Daniel Rosin) includes the use of two harpsichords, a practice that shows off fascinating possibilities in terms of sound and harmonic and figurative elaboration.
Error on this page? Let us know here
Need more information on this product? Click here