In Spiritum: Music for Cello and Bandoneon
£9.45
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Label: Brilliant Classics
Cat No: 96381
Format: CD
Number of Discs: 1
Genre: Chamber
Release Date: 13th August 2021
Contents
Works
Adieu m'amour IIDe tous biens playne II
Adieu, adieu mon joieulx souvenir
Corale
Sequentia III
Sequentia II
Sequentia I
Tema del desiderio
Ave maris stella
Je languis en piteux martire
Tu dormi et Amor veglia per mio danno
Nesciens mater
Palestrina, Giovanni Pierluigi da
Jesu, rex admirabilisArtists
Federico Bracalente (cello)Daniele di Bonaventura (bandoneon)
Works
Adieu m'amour IIDe tous biens playne II
Adieu, adieu mon joieulx souvenir
Corale
Sequentia III
Sequentia II
Sequentia I
Tema del desiderio
Ave maris stella
Je languis en piteux martire
Tu dormi et Amor veglia per mio danno
Nesciens mater
Palestrina, Giovanni Pierluigi da
Jesu, rex admirabilisArtists
Federico Bracalente (cello)Daniele di Bonaventura (bandoneon)
About
After a long period of research and experimentation the artists settled on the polyphonic vocal repertoire of the 15th and 16th centuries to realise their vision, reworking it through the inclusion of free and improvised parts.
The practice of improvising pieces to alternate with other writings was commonplace during this musical period. Tinctoris in Liber de arte contrapuncti describes the custom of Cantare super librum – the ability of the performers to elaborate a counterpoint to the mind. Taking advantage of the vocal characteristics of the two instruments – the extensive range and singing likeness of the cello and the two liturgical registers of the bandoneon (left hand and right hand) – the artists perform this music as if they are three singers, inserting it into a new tonal instrumental framework.
In two pieces, Bracalente and di Bonaventura use an overdubbing technique to enable the cello to simultaneously perform the parts of Superius and Bassus (in Alexander Agricola’s De tous biens plaine II) and create a polyphonically more complex fabric in Jean Mouton’s 8-voice motet Nesciens Mater.
In addition to the compositions by Agricola, Du Fay, Palestrina, Mouton and Binchois, they also include an unpublished and never-recorded madrigal, Tu Dormi et Amor veglia per mio danno, by fellow countryman Eliseo Ghibellini, as well as two other original contemporary compositions written in polyphonic style by di Bonaventura.
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