Rheingold: Music by Reinecke, Wagner, Bruch & Silcher
£9.45
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Label: Brilliant Classics
Cat No: 96426
Format: CD
Number of Discs: 1
Release Date: 25th February 2022
Contents
Works
Concerto in B flat major for string orchestra (Octet), op. posth.Serenade for Strings in G minor, op.242
Loreley (arr. Dick van Gasteren)
Wesendonck-Lieder (5) (arr. Gerhard Heydt)
Artists
Karin Strobos (mezzo-soprano)Ciconia Consort
Conductor
Dick van GasterenWorks
Concerto in B flat major for string orchestra (Octet), op. posth.Serenade for Strings in G minor, op.242
Loreley (arr. Dick van Gasteren)
Wesendonck-Lieder (5) (arr. Gerhard Heydt)
Artists
Karin Strobos (mezzo-soprano)Ciconia Consort
Conductor
Dick van GasterenAbout
Das Rheingold itself is present by implication in the cycle of Wesendonck-Lieder which Wagner composed on the shore of Lake Zurich, initially as sketches for Tristan und Isolde, which he had embarked upon as a venture to drum up interest and capital for the larger project of the Ring. Inspired by his intimate association with as well as the poetry of Mathilde Wesendonck, the wife of a wealthy silk merchant who was underwriting the composer’s sojourn in Zurich, Wagner then developed the songs into a self-contained cycle which throbs with transfigured desire much like the opera.
The cycle is sung here by the mezzo-soprano Karin Strobos, whose career was launched by singing Octavian in Der Rosenkavalier at the Netherlands Opera under Sir Simon Rattle. She also sings the album’s notable rarity: a setting of Heine’s Loreley text, which describes the mythical creatures who lure unsuspecting Rhenish sailors to their doom like Greek Sirens. Originally composed as a male-voice partsong by Friedrich Silcher (1798-1860), the song has been transcribed by Dick van Gasteren for Strobos and La Ciconia.
Complementing the songs are two unfamiliar but attractive examples of late-Romantic German string music: the Serenade, op.242, by Carl Reinecke, and the Concerto for String Orchestra by Max Bruch. Neither work enjoys more than a toehold in the record catalogue, and this engagingly vivid new recording makes the most persuasive case for them.
Critical praise for the Ciconia Consort on Brilliant Classics:
‘The Ciconia Consort does Castérède proud, dispatching the counterpoint in the finale with relish… I enjoyed this disc greatly.’ – Fanfare (French Music)
‘The Ciconia Consort, resident at the Hague, are a fine ensemble, and this collection will not disappoint.’ – MusicWeb International (American Pioneers)
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