Brahms the Progressive Vol.2 | Odradek Records ODRCD413

Brahms the Progressive Vol.2

£11.88

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Label: Odradek Records

Cat No: ODRCD413

Format: CD

Number of Discs: 1

Release Date: 29th April 2022

Contents

Artists

Pina Napolitano (piano)
Lithuanian National Symphony Orchestra

Conductor

Modestas Pitrenas

Works

Brahms, Johannes

Piano Concerto no.2 in B flat major, op.83

Webern, Anton

Concerto for 9 instruments, op.24

Artists

Pina Napolitano (piano)
Lithuanian National Symphony Orchestra

Conductor

Modestas Pitrenas

About

For the exceptional Italian pianist Pina Napolitano, there is no better way of looking at art and history than through the lens of inverted time, from the present to the past. This is what Schoenberg invites us to do in his essay, 'Brahms the Progressive', in which Brahms, often considered a musical 'conservative', becomes instead the father of modernism. This provides the inspiration behind this album, the sequel to 'Brahms the Progressive' Volume 1: traversing time in two directions, looking at Brahms from the perspective of the modern Viennese, and looking at the Second Viennese School from the perspective of Brahmsian romanticism.

For Pina Napolitano there are romantic echoes in the works of the Second Viennese School; an enormous expressive force distilled and compressed, all the way up to Webern's rarefied language where even the silences are charged with music and significance. And on the other hand she has always perceived Brahms's music as a magical prism, in which an entire musical past (encompassing Bach, Beethoven, Chopin, Schumann…) merges together, before breaking off into rivulets that will give birth to 20th-century music.

Whereas 'Brahms the Progressive' Volume 1 focussed on solo piano repertoire, Volume 2 expands into the realm of the concerto. Pina Napolitano is joined by the Lithuanian National Symphony Orchestra and conductor Modestas Pitrėnas for the sparkling, kaleidoscopic Concerto, op.24, by Webern and the expansive, delectable Piano Concerto no.2 by Brahms. Both works, as Pina Napolitano puts it in her artist statement in the album booklet, possess 'the same deep structures and musical logic. They address the same problems of musical construction: the perfectly economic use of classical forms, the absolute concision … the presentation of musical material in crystal-like formations…'

Listening to these works side by side illuminates both in new ways, creating two-way context as these masters seemingly reach out to one another across time, Brahms anticipating Webern and Webern, via his teacher Schoenberg, acknowledging Brahms, the progressive.

Reviews

The diffusely balanced sound comes into focus in the finale’s softer, more lightly scored passages, where Napolitano’s fingerwork operates at its graceful, supple best.
Gramophone
Altogether, this disc was a real and unexpected pleasure.
BBC Music Magazine July 2022

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