Venice 1600 – The age that witnessed the birth of opera as we know it today also saw the emergence of a liberal, secular musical culture. The polyphonic rigour of earlier times gave way to expressive solo voices and breathtakingly virtuoso instrumental music. Composers were able to have a career outside the restrictions of the church. Young musicians, painters and Bohemians took the salons of the rich elites by storm. Barbara Strozzi, composer as well as acclaimed singer, became one of the leading voices of her generation. A true child of Venice, the lagoon city became a supportive home for her art. Her works reflect the adventurous spirit of a musical world moving towards a new era. In their musical journey, mezzo-soprano Laila Salome Fischer and jazz saxophonist Magnus Mehl revive the Venice 1600 Zeitgeist of awakening and discovery. Backed by the exciting baroque ensemble Il Giratempo, Magnus Mehl translates the ancient tunes and rhythms into his very own musical language.

Tracks:
1. Lagrime mie
2. Amor dormiglione
3. Sonata sopra Hor chel ciel e la terra
4. Illustratevi, o cieli (Il ritorno d’Ulisse in patria, Act 5, Penelope)
5. E pazzo il mio core
6. Amarilli, mia bella
7. Al fonte, al prato
8. Anchor che col partire
9. Ciaccona
10. Si dolce el tormento
11. Sete pur fastidioso