Fantasie: Fantasy Pieces for Clarinet and Piano
£11.35
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Label: Farao
Cat No: B108117
Format: CD
Number of Discs: 1
Genre: Chamber
Release Date: 7th October 2022
Contents
Works
Fantasy Pieces (2) for clarinet and piano, op.9Fantasiestucke (4) for clarinet and piano, op.43
Fantasiestucke, op.22
Fantasiestucke (3), op.73
Fantasy Pieces (3), op.19
Artists
Georg Arzberger (clarinet)Julian Riem (piano)
Works
Fantasy Pieces (2) for clarinet and piano, op.9Fantasiestucke (4) for clarinet and piano, op.43
Fantasiestucke, op.22
Fantasiestucke (3), op.73
Fantasy Pieces (3), op.19
Artists
Georg Arzberger (clarinet)Julian Riem (piano)
About
“With fantasy, you can shape a completely new world language-wise, intelletually and musically. The composer creates the basic framework; we musicians fill this with our interpretation and aspire to take the listeners with us into this wonderful and fantastic world of music”, says Georg Arzberger.
“All the works on this CD are so-called ‘Romantic character pieces’; they were inspired by poetry, experiences in nature or simply the current emotional state of the composer. So for me, finding each individual ‘language’ and the corresponding musical message of the pieces is the main goal of our album”, says Julian Riem.
The Fantasiestücke (Eng.: fantasy pieces) on this CD take listeners along on a journey into very different and individual musical worlds. All the works reflect the Romantic desire to over-come the limits of this world and plunge into unique microcosms. Schumann’s Fantasiestücke, a standard work of the clarinet literature that at the time it was written was already a source of inspiration for some of the other pieces on this CD, takes centre stage on the recording. Gade is known to have greatly respected Schumann; in a letter written during a stay in Copenhagen, for example, Clara Schumann told Robert: “Gade visited me today and went into raptures over you. He knows everything you have written and plays it all (as far as he can) himself.” So it is not at all far-fetched to see a direct connection to Schumann in Gade’s Fantasiestücke. Reinecke, too, had a friendly relationship with Schumann and was a great champion of his works. Winding, who in his turn was a pupil of Reinecke and Gade, also contributed a work to this genre that has almost fallen into oblivion today although it was praised by his contemporaries. The charming Fantasiestücke by Eschmann, who can also be seen as belonging to Schumann’s sphere, are heard even more rarely.
Georg Arzberger, born in Aichach, studied with Harald Harrer and Martin Spangenberg. He worked at the orchestra of the Deutsche Oper from 2006 to 2017, at first as acting principal clarinettist, then as principal clarinettist from 2016. Co-founder of the Musikfest Blumenthal in 2021 and since then its artistic director. Since 2019 he has been professor for clarinet at the Hochschule für Musik und Theater in Munich.
Julian Riem, born in Munich, studied with Michel Béroff and Rudolf Buchbinder. He gives concerts regularly in major musical hubs in Europe, Asia and America as a soloist, chamber musician and Lied accompanist. Julian Riem has also been delighting the classical music world for many years in his partnership with the cellist Raphaela Gromes. His recordings have received several awards, including the German Record Critics’ Award, the Opus Klassik and the Diapason d’or.
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