Dodgson - The Peasant Poet: Songs Vol.1
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Label: Somm
Cat No: SOMMCD0659
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 18th November 2022
Contents
Works
Bush Ballads, Series 2Fanciful Pieces (8)
Heaven-Haven
Inversnaid
Irishry
Mrs Hen
Poems of John Clare (4) for voice and guitar
Slow, Slow Fresh Fount
The Monk and his Cat
Tideways
Artists
Ailish Tynan (soprano)Katie Bray (mezzo-soprano)
James Gilchrist (tenor)
Roderick Williams (baritone)
Christopher Glynn (piano)
Mark Eden (guitar)
Ian Wilson (recorder)
Works
Bush Ballads, Series 2Fanciful Pieces (8)
Heaven-Haven
Inversnaid
Irishry
Mrs Hen
Poems of John Clare (4) for voice and guitar
Slow, Slow Fresh Fount
The Monk and his Cat
Tideways
Artists
Ailish Tynan (soprano)Katie Bray (mezzo-soprano)
James Gilchrist (tenor)
Roderick Williams (baritone)
Christopher Glynn (piano)
Mark Eden (guitar)
Ian Wilson (recorder)
About
Son of the Symbolist painter John Arthur Dodgson and a distant cousin of Lewis Carroll, Stephen Dodgson was a prolific composer with a notable focus on works for guitar, harpsichord and recorder. Although neglected, his more than 100 songs are a substantial and defining part of his output.
Composed in 1961, ‘The Peasant Poet’ from Four Poems of John Clare, settings of the troubled and travailed poet, gives Volume 1 its title. Contrastingly, 1950’s Tideways sets four poems by the idiosyncratic Ezra Pound.
The six songs from Dodgson’s 1998 Second Series of Australian Bush Ballads “makes use of his own melodic style, graceful, elegant or sharply original and witty… with expressive accompaniments, sometimes simple, sometimes richly chromatic”, as John Warrack comments in his booklet notes, supplemented by Robert Matthew-Walker’s informative note on Dodgson’s style.
Writing in his native Gaelige, Irish playwright and political activist Joseph Campbell prompted 1949’s Irishry, the late The Monk and his Cat from 2004 returning to Ireland to animatedly set a playful ninth-century text.
Seven other songs, drawn from a variety of sources and voiced with appropriate individuality, complete a recital that eloquently argues for Dodgson’s place amongst the best of modern British art-song composers.
SOMM’s championing of British song includes Stanford’s Children’s Songs (SOMMCD0655), “fairly and squarely in the great English song tradition” (MusicWeb International), and Roderick Williams and Susie Allan’s Celebrating English Song (SOMMCD0177), hailed by Gramophone as “a treat”.
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